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Why saying “Get off the internet” is terrible advice for victims of online harassment

I spoke with actor, writer, and intimacy coordinator Michela Carattini about her film “Remote Access,” which she cowrote and coproduced with screenwriter Leanne Mangan. Penelope Berkemeier directed the film. Michela, the daughter of a Panamanian-American military intelligence officer and an Australian ballerina, grew up in Germany, where she developed an interest in languages, obscure autobiographies, and criminal behavior. Michela’s award-winning storytelling is driven by her search for world’s compassion and intelligence.

2019 Girl Power Film + Media Summit

The work I saw was crafted with time and effort and filled more than just quotas. They were filling us with inspiration for a future in which female-identifying filmmakers are seen as equally important to our male counterparts in the film industry. And that is […]

Director Alison Klayman discusses her new documentary ‘The Brink’

Never in recent memory has there been such a volatile time in politics than today and one man has added his own fuel to the fire—Steve Bannon. Director Alison Klayman has opened the doors into this man’s life with her new film “The Brink” (2019), giving viewers a glimpse into the behind-the-scenes action and the inner workings of politics like never seen before.

International Women’s Day: Storytellers

Personally, I’d like to think that the changes in my life stem from my passions. I’m passionate about women’s stories through the lens of film. It is important that these stories are seen and heard. To celebrate International Women’s Day, I’d like to highlight some films directed by women who are great storytellers.

A conversation between Cinema Femme founder Rebecca Martin and filmmaker Meryl Goldsmith

“Sometime during that process, Michael Radner, he’s my godfather, he told me that Lisa D’Apolito was making “Love, Gilda” (2018). Once I finally had a chance to meet Lisa, I was really relieved, because Gilda’s story was a lot more personal. It was my role to make sure that number one, Gilda’s portrayed in a positive light, and thinking of things as a friend. So I met her and saw the assembly cut and thought, she knows what she’s doing, and she cared about how Gilda was portrayed. She would ask herself with every decision how Gilda would have felt about it. And Lisa has a background in advertising and production, so she did know film, and made everything look and sound great.”

A conversation between Cinema Femme founder Rebecca Martin and film critic Danielle Solzman

“This past season, GLAAD did their report, and there’s been an increase of trans actors in series, but a lot of that is because of “Pose” (2018). So it would be nice to see more trans actors taking on roles. But I’d like to see, not so much because of the story, but casting directors being like, “Hey, you don’t necessarily need to write this character as cis; it can be a trans person.” “The Sisters Brothers” (2018) and “Colette” (2018) both had trans actors playing cisgender characters.”

I can’t understand

Both willingly and unwillingly, Yance and so many others have done so much emotional labor to tell us their stories and relive their trauma, all to reveal to us the racism, sexism, bigotry, homophobia, and overall hatred that still exists and causes unfathomable pain, and it’s our job and responsibility to pay attention.