Cinema Femme Issue 3 Party
Thank you all who came out last night to celebrate Cinema Femme’s Issue 3 at WeWork!
Latest / Popular
A conversation between Cinema Femme founder Rebecca Martin and filmmaker Meryl Goldsmith
“Sometime during that process, Michael Radner, he’s my godfather, he told me that Lisa D’Apolito was making “Love, Gilda” (2018). Once I finally had a chance to meet Lisa, I was really relieved, because Gilda’s story was a lot more personal. It was my role to make sure that number one, Gilda’s portrayed in a positive light, and thinking of things as a friend. So I met her and saw the assembly cut and thought, she knows what she’s doing, and she cared about how Gilda was portrayed. She would ask herself with every decision how Gilda would have felt about it. And Lisa has a background in advertising and production, so she did know film, and made everything look and sound great.”
A conversation between Cinema Femme founder Rebecca Martin and film critic Danielle Solzman
“This past season, GLAAD did their report, and there’s been an increase of trans actors in series, but a lot of that is because of “Pose” (2018). So it would be nice to see more trans actors taking on roles. But I’d like to see, not so much because of the story, but casting directors being like, “Hey, you don’t necessarily need to write this character as cis; it can be a trans person.” “The Sisters Brothers” (2018) and “Colette” (2018) both had trans actors playing cisgender characters.”
A Poem for the Mother
Illustration by Tavi Veraldi A Poem for the Mother Who lost her son… In a car crash In a dog fight Amid the dust mines of recessed memories A poem for the agony For the fear For the future Remembering to call her before you go to […]
‘Hail Satan?’: interview with documentary filmmaker Penny Lane
“Hail Satan?” (2019) is not only an eye-catching title, the content is eye-opening! The upbeat, energetic, and talented documentary filmmaker Penny Lane gave Sundance audiences food for thought in this hilarious new film that reveals the truth about The Satanic Temple and our own country’s issues with separation of Church and State.
I can’t understand
Both willingly and unwillingly, Yance and so many others have done so much emotional labor to tell us their stories and relive their trauma, all to reveal to us the racism, sexism, bigotry, homophobia, and overall hatred that still exists and causes unfathomable pain, and it’s our job and responsibility to pay attention.
The burden of heartbreak
When the lights in “Strong Island” (2017) begin to dim and the credits start to roll, the viewer is left with an echo of a scream ringing intensely in their ears. Director and filmmaker Yance Ford has just spoken with the District Attorney in charge […]
‘Strong Island’: documentary filmmaking as a coming-of-age tale
It’s always the women, the queer, and the blacks. They are the ones who tell stories. They are the ones who dig deep into their families’ histories. They are the ones who try to uncover the truth and make amends with the past so they […]
The contours of fear: a documentary elegy
It is a pessimistic view of life in America, and for Yance Ford and millions of people who look like him, it is a daily reality: living with the fear of being treated as a second-class citizen in school, housing, employment, and the law.
An interview with Docademia cofounder Nassim Abdi
We spoke with Nassim Abdi, Ph.D, on what inspired her to found Docademia and the power of using documentaries when teaching in classrooms. Docademia is a social initiative that uses independent documentaries to bring social justice discussions to life in classrooms.
An interview with documentary filmmakers Katy Osborn and Andrea Alberti
We interviewed filmmakers Katy Osborn and Andrea Alberti about their documentary “Head to Head.” “Head is Head” is about the hair industry, women who struggle with hair loss, and how much hair ties into one’s sense of self. Learn more about their documentary at http://ameliastreetstudio.com/headtohead.
Cinema Femme Documentary Issue — Editor’s Letter
I’ve always loved how documentaries can connect with viewers by taking them through worlds that are not their own. And some documentaries, like Yance Ford’s “Strong Island” (2017), our Issue 3 film focus, demand your attention and you can’t look away. In our third issue, […]