Emily Jacobson

Chicago, Interviews, LGBTQ+, Queer Stories

8 min read

Sapphopalooza 2026: “Go Fish” Still Feels Revolutionary – Guinevere Turner on Queer Community, Representation, and a Lesbian Classic

by Emily Jacobson

May 21, 2026

When I first watched “Go Fish,” Rose Troche’s 1994 film, it was in the middle of lockdown during 2020. I was watching at least three movies a day, using my

2025 Films, Horror, Interviews

7 min read

Grace Glowicki On Her Original Vision of Frankenstein in “Dead Lover”

by Emily Jacobson

March 20, 2026

About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was

reviews, Sundance

6 min read

Sundance 2026: “The Musical,” “Extra Geography.” and “Carousel”

by Emily Jacobson

February 5, 2026

For my final dispatch of Sundance 2026, I talk about three films I screened virtually from home (though I originally saw “The Musical” in Park City, but I enjoyed it

reviews, Sundance

7 min read

Sundance 2026: “Leviticus,” “I Want Your Sex,” and “The Invite”

by Emily Jacobson

February 3, 2026

As I got deeper into the festival and more sleep deprived, my second dispatch from Sundance saw some common themes begin to emerge in the films I was seeing. In

reviews, Sundance

9 min read

Sundance 2026: “The Lake,” “Silenced,” and “Saccharine”

by Emily Jacobson

January 30, 2026

When I landed in what would be the last Sundance in Park City, Utah, a notable feeling of gratitude washed over me. My first day was a frenzy of badge

Cinematographer, Directing, Interviews, LGBTQ+, Queer Stories, Short Films

15 min read

Hannah Welever on shaking things up with her sex positive short “Soirée”

by Emily Jacobson

May 20, 2025

Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often

Film Festivals, reviews, Sundance

8 min read

Sundance 2025: “Sally,” “Come See Me in the Good Light,” “Sunfish (& Other Stories on Green Lake),” “Brides,” and “Sorry, Baby”

by Emily Jacobson

February 18, 2025

For my second Sundance dispatch, I exchanged my snow boots for my slippers, and viewed most of the films from the comfort of my couch. While certainly not comparable to

Film Festivals, reviews, Sundance

8 min read

Sundance 2025: “Touch Me,” “Sauna,” “East of Wall,” “Sugar Babies,” and “The Librarians” 

by Emily Jacobson

January 31, 2025

When I was thirteen, I remember scrolling through the movie channels of my parents’ television and finding a film called “Like Crazy,” which was labeled as a “breakout Sundance hit.”

2024 Films, Chicago International Film Festival, Film Festivals, International Films, reviews

9 min read

CIFF 2024: “Nightbitch,” “Grafted,” “We Were Dangerous,” “Toxic,” and “The Missile”

by Emily Jacobson

October 31, 2024

This past year has seen a wave of female directed movies – whether it be horror, drama, or comedy – fixed upon the female body. Unsurprisingly, with the political climate

reviews, Sundance, Sundance 40

5 min read

Sundance 40 Review: “Good One” Chronicles The Dark Side of Female Adolescence

by Emily Jacobson

January 30, 2024

A teenage girl goes on a camping trip with her father and his oldest friend. Typically, this type of movie would be a coming of age film, focusing on the

reviews, Sundance, Sundance 40

5 min read

Sundance 40 Review: A Multifaceted Exploration of Personal Girlhood in “Suncoast”

by Emily Jacobson

January 29, 2024

It is 2005 and Brad Pitt and Jennifer Anniston have just split up. While the pop culture world cries out in despair, Doris (Nico Parker) recites the news to her

LGBTQ+, reviews, Sundance, Sundance 40, Trans Awareness Week

5 min read

Sundance 40 Review: An Intersectional Exploration of Transmasculinity and Identity Makes “Desire Lines” A True Standout

by Emily Jacobson

January 25, 2024

On Friday, January 19th, the Utah House of Representatives voted to advance a restrictive anti-trans bill outlawing trans people from using bathrooms aligning with their gender identity. It will now

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