Sundancing on My Own: My Four Extraordinary Days in Park City
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over four decades had always left me in awe. So many of my favorite films had premiered at Redford’s festival nestled in the snow-capped mountains of […]
A Call for Peace and Human Connection: Hikari on “Rental Family”
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival screening of Hikari’s “Rental Family,” I overheard the woman next to me mention her plans to see my all-time favorite film, “It’s a Wonderful Life,” […]
Look for the Signs: Christy Salters Martin and Lisa Holewyne on “Christy”
I went into David Michôd’s biopic “Christy” knowing nothing about its titular boxer. I knew I would be interviewing the film’s real-life subject, Christy Salters Martin, the following morning, and was delighted to see her in attendance at the press screening. She was accompanied by her wife, Lisa Holewyne, who had formerly been her adversary […]
Kick Out the Conventions: Agnieszka Holland on “Franz,” “The Secret Garden” and More
With the 61st Chicago International Film Festival nearly in the rearview mirror, there are so many memories from the past several days that I know I will be cherishing for years to come. Yet the one that stands above them all is the half-hour I got to spend last weekend speaking with one of the […]
CIFF 2025: “The Girl in the Snow,” “The Testament of Ann Lee,” “It was Just an Accident,” “The Voice of Hind Rajab,” “The Plague,” and “Sound of Falling”
The Girl in the Snow One of the great discoveries I made at CIFF ten years ago was the talent of young Galatéa Bellugi. As a pregnant teen in the coming of age gem “Keeper” (no relation to Osgood Perkins’ upcoming thriller of the same name), Bellugi’s astonishing performance was one of the key reasons […]
On Borrowed Time: The Beauty of “John Candy: I Like Me”
“I remember John Candy’s presence much more clearly than that of John Hughes,” Gaby Hoffmann told me during our interview in 2012, after I asked her about her memories of filming 1989’s “Uncle Buck” at the mere age of 7. “That movie was playing video games with Mac[auley Culkin] and rejoicing in the extraordinary loveliness […]
Attracted to Abstraction: Lucile Hadžihalilović on “The Ice Tower”
“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about his 2009 masterpiece, “Enter the Void.” There is perhaps no filmmaker who has crafted more visceral portrayals of primal human experiences, particularly sex, violence and […]
It Was All a Miracle: Embeth Davidtz on “Don’t Let’s Go to the Dogs Tonight”
I was ten years old when Danny DeVito’s euphoric screen adaptation of Roald Dahl’s 1988 novel Matilda arrived in theaters. I had read the book so many times that the cover had fallen off, and in the character of Miss Honey, I found an embodiment of all the teachers who had been an invaluable, nurturing […]
A Profound Experience of Rewriting: Eva Victor on “Sorry, Baby”
As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of “Moonlight” has also been helping launch some of the most exciting careers in modern cinema over the past few years. I’m thinking specifically of Charlotte […]
Beauty in Vulnerability: Richard Green and Claire Coulson-Ollivier on “I Know Catherine, the Log Lady”
This was one of two Log Lady quotes I incorporated into my speech while officiating my brother-in-law and fellow “Twin Peaks” fan Joe’s wedding last year in Washington state. It was “Twin Peaks” that brought my wife—Cinema Femme founder Rebecca Martin Fagerholm—and I together, and has helped preserve our sanity whenever the news cycle is […]
CIFF 2024: Screen Legend Valeria Golino on Her Exhilarating Miniseries, “The Art of Joy”
Valeria Golino was 18 years old when she filmed Italian director Francesco Maselli’s “Storia d’amore,” the movie that would make her an international star. She earned the Best Actress prize in Venice, and went on to be cast in such major Hollywood releases as “Rain Man,” “Big Top Pee-Wee,” “Hot Shots!”, “Leaving Las Vegas” and […]
This is Our Family: Tara Mallen, Keith Kupferer and Katherine Mallen Kupferer on “Ghostlight”
When it comes to monumentally euphoric moviegoing experiences in 2024, Kelly O’Sullivan and Alex Thompson have set a mightily high bar with their latest crowd-pleaser, “Ghostlight.” Five years after helming one of my all-time favorite films, 2019’s “Saint Frances,” writer/co-director O’Sullivan and co-director/producer Thompson have done it again with this phenomenally powerful ode to the […]