A.V. Rockwell’s debut feature “A Thousand and One” is an earth-shattering revelation. Taking place in Harlem from the mid-1990s to mid-2000s, the film is not only a document of a changing city, but a portrait of love and family persevering against the odds. When Inez […]
One day every mother must come to terms with the fact that their little girls will grow into women. As those changes begin to take place, so does the realization that the way the world treats them will shift. Adura Onshile’s feature-length directorial debut, “Girl,” […]
An inherent part of female existence is the eventual realization that in most social contexts, you and your body are viewed as a resource and commodity. The consequential aspect of female existence is the sisterhood that is created by these overarching shared experiences. Anna Hints’ […]
Alice Englert’s directorial debut, “Bad Behaviour,” walks a tightrope, for its almost two hour long runtime. Lucy (Jennifer Connelly) is pursuing enlightenment while her daughter, Dylan (director Alice Englert), is looking for autonomy in the most physical of ways. Lucy has maternal trauma and unresolved […]
What is a woman? There are countless amounts of social qualifications ranging from personality to action to life trajectory that shift and alter with both time and culture. Does the definition of womanhood lie with the population of women themselves? And how do we let […]
Cinema Femme will be bringing you essays written by women and non-binary people about films that are cult classics and how they are impacting our world today. Today we feature an essay by Peyton Robinson (RogerEbert.com, JumpCutOnline, and One Perfect Shot). Niche is a delicate, […]