Berlinale 2026: “Mouse” Destined to be Hailed Among the Year’s Best Films

There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and starring O’Sullivan as a thirty-something nanny with an unwanted pregnancy, who forges a bond with the six-year-old she looks after. O’Sullivan brought her next script, […]

The Magic of Sundance: Stories from my last dance in Park City

Yes, you can just go to Sundance. Yes, you will definitely have fun. Yes, you will see celebrities. Yes, you will see movies that may win Oscars or launch the career of your favorite new filmmaker. No, it’s not easy to get there or get around. No, you won’t feel your healthiest while you are […]

Sundancing on My Own: My Four Extraordinary Days in Park City

Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over four decades had always left me in awe. So many of my favorite films had premiered at Redford’s festival nestled in the snow-capped mountains of […]

A Call for Peace and Human Connection: Hikari on “Rental Family”

As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival screening of Hikari’s “Rental Family,” I overheard the woman next to me mention her plans to see my all-time favorite film, “It’s a Wonderful Life,” […]

Daviel Shy on Creating and Starring in Series “The Lovers”

When a laid-off sex worker falls for a mail carrier in a world frozen by pandemic unknowns, it will take the help of an astrologer, cinema guru, cam model, retired dungeon owner, porn star, and an infected host of the supernatural, to discover a new way of loving. A dreamy soft sci-fi romance. Cinema Femme sat down with Daviel […]

Spritz & Sofia: My First Venice Film Festival

Veronica Miles in Piazza San Marco, Venice

In 2019, I crashed the Cannes Film Festival. Well — not really. I went legitimately with a pass I applied for (if you work in the film industry, you usually qualify). But I had no purpose being there for work or business. I’m just working on my own film directing path and wanted to see […]

Attracted to Abstraction: Lucile Hadžihalilović on “The Ice Tower”

“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about his 2009 masterpiece, “Enter the Void.” There is perhaps no filmmaker who has crafted more visceral portrayals of primal human experiences, particularly sex, violence and […]

A Profound Experience of Rewriting: Eva Victor on “Sorry, Baby”

As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of “Moonlight” has also been helping launch some of the most exciting careers in modern cinema over the past few years. I’m thinking specifically of Charlotte […]

He Believed in Me: Sabrina S. Sutherland on Her Favorite Person, David Lynch

It’s difficult to put into words the gratitude I have for Sabrina S. Sutherland. The collaborations she forged with filmmaker David Lynch, particularly over the last decade, have transformed my life in ways I never could have anticipated. Sutherland executive produced Lynch’s 18-part masterpiece, 2017’s “Twin Peaks: The Return”—or as she prefers to call it, […]