Documentaries

2026 Films, Documentaries, Profile, reviews

12 min read

Femme Film Series: May Spotlight on Doc 10 and Chicago Critics Film Festival

by Rebecca Martin

May 5, 2026

This month’s lineup leans heavily into documentaries, with “The Invite” as the lone outlier. Watching these films, I kept circling back to my own life—each one opening up a different

2026 Films, Coming of Age, Documentaries, Film Editing, Indie Films, Interviews, LGBTQ+, Queer Stories, SXSW, Transgender

14 min read

Transitioning Together: Amy Jenkins and Adam Sieswerda on “Adam’s Apple”

by Matt Fagerholm

March 9, 2026

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my

Documentaries, International Films, Interviews, Sundance

7 min read

Sundance 2026: Holding the Line — Biljana Tutorov and Petar Glomazić on “To Hold a Mountain”

by Rebecca Martin

February 5, 2026

Gara, the guiding force at the center of “To Hold a Mountain,” is living proof that not all heroes wear capes. Her days begin before sunrise — herding sheep across

Documentaries, International Films, Sundance

8 min read

Sundance 2026: “Birds of War” — Love, Journalism, and Bearing Witness Across Revolution and Exile

by Rebecca Martin

February 3, 2026

“Birds of War” premiered at the 2026 Sundance Film Festival, where it received the World Cinema Documentary Special Jury Award for Journalistic Impact. At its core, the film is a

Documentaries, Sundance, Uncategorized

8 min read

Sundance 2026: Rachael Morrison chronicles a radical life in her documentary “Joybubbles”

by Dawn Borchardt

January 29, 2026

“Joybubbles” is filmmaker Rachael J. Morrison’s debut feature documentary, which just premiered at the 2026 Sundance Film Festival in the U.S. Documentary Competition. Built almost entirely from archival film footage

Coming of Age, Directing, Documentaries, Drama, Film Festivals, Horror, Indie Films, LGBTQ+, Queer Stories, reviews, Screenwriting, Sundance

16 min read

Sundancing on My Own: My Four Extraordinary Days in Park City

by Matt Fagerholm

January 28, 2026

Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over

Documentaries, Film Festivals, International Films, Interviews

8 min read

“Women Make the Harsher Films”: Isa Willinger Revisits a Provocation in “No Mercy”

by Rebecca Martin

November 21, 2025

When cult filmmaker Kira Muratova told a young Isa Willinger, “The truth is, women make the harsher films,” the statement lodged itself in Willinger’s mind like a riddle. Could this

2025 Films, Documentaries, International Films, Interviews, Uncategorized

10 min read

“To Witness Is to Remember”: An Interview with Emily Mkrtichian

by Rebecca Martin

October 18, 2025

In 2018, filmmaker Emily Mkrtichian began work on what she envisioned as a quiet, contemplative documentary—a portrait of women in Artsakh, the ethnically Armenian region nestled in the South Caucasus,

2025 Films, Chicago, Comedy, Documentaries

6 min read

On Borrowed Time: The Beauty of “John Candy: I Like Me”

by Matt Fagerholm

October 8, 2025

“I remember John Candy’s presence much more clearly than that of John Hughes,” Gaby Hoffmann told me during our interview in 2012, after I asked her about her memories of

Documentaries, Interviews

8 min read

“Death in Apartment 603: What Happened to Ellen Greenberg?” Interview with Director and Showrunner Nancy Schwartzman

by Anna Pattison

October 3, 2025

We sat down with award-winning filmmaker Nancy Schwartzman—best known for her powerful documentaries “Roll Red Roll,” “Victim/Suspect,” and “Sasha Reid” and the “Midnight Order”—to talk about her latest project, “Death

Chicago, Documentaries, Interviews

11 min read

Honoring a Trailblazer: Dr. Christine Houston and the Origins of 227

by Rebecca Martin

September 26, 2025

When 227 premiered on NBC in 1985, it was more than just a new sitcom—it was a cultural moment. Centered on the lives of a middle-class African American family, the

Documentaries, Film Editing, Film Festivals, Uncategorized

16 min read

Julie Seabaugh on the documentary “Are We Good?”

by Anna Pattison

July 2, 2025

Comedy is an essential tool of humanity — it reaches places within us that can often be too scary to face on our own. And, especially when it is a