Documentaries

Documentaries, Interviews, Profile

5 min read

“Playing with Fire”: Annie Sprinkle and Beth Stephens Turn Catastrophe Into Ecosexual Ritual

by Rebecca Martin

September 25, 2026

This is a preview piece ahead of the Music Box Theatre screening of “Playing with Fire: An Ecosexual Emergency” on Tuesday, September 29; the full feature interview will follow closer

Documentaries, Interviews

12 min read

Adapting, Changing, and Living an Adventure: Brydie O’Connor on “Barbara Forever”

by Megan Henderson

September 24, 2026

Barbara Hammer made over 80 films in her life time, and yet many don’t know her name. She helped shape experimental and queer cinema, and yet most audience members haven’t

Documentaries, Film Festivals, Interviews

16 min read

Bentonville 2026: Cheri Gaulke on “Acting Like Women” and the Legacy of Feminist Performance Art

by Rebecca Martin

June 16, 2026

Years ago, while working at Chicago Filmmakers, I came across a large pile of magazines from the organization’s archive that were destined for the trash. To some, they may have

2026 Films, Documentaries, Profile, reviews

12 min read

Femme Film Series: May Spotlight on Doc 10 and Chicago Critics Film Festival

by Rebecca Martin

May 5, 2026

This month’s lineup leans heavily into documentaries, with “The Invite” as the lone outlier. Watching these films, I kept circling back to my own life—each one opening up a different

2026 Films, Coming of Age, Documentaries, Film Editing, Indie Films, Interviews, LGBTQ+, Queer Stories, SXSW, Transgender

14 min read

Transitioning Together: Amy Jenkins and Adam Sieswerda on “Adam’s Apple”

by Matt Fagerholm

March 9, 2026

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my

Documentaries, International Films, Interviews, Sundance

7 min read

Sundance 2026: Holding the Line — Biljana Tutorov and Petar Glomazić on “To Hold a Mountain”

by Rebecca Martin

February 5, 2026

Gara, the guiding force at the center of “To Hold a Mountain,” is living proof that not all heroes wear capes. Her days begin before sunrise — herding sheep across

Documentaries, International Films, Sundance

8 min read

Sundance 2026: “Birds of War” — Love, Journalism, and Bearing Witness Across Revolution and Exile

by Rebecca Martin

February 3, 2026

“Birds of War” premiered at the 2026 Sundance Film Festival, where it received the World Cinema Documentary Special Jury Award for Journalistic Impact. At its core, the film is a

Documentaries, Sundance, Uncategorized

8 min read

Sundance 2026: Rachael Morrison chronicles a radical life in her documentary “Joybubbles”

by Dawn Borchardt

January 29, 2026

“Joybubbles” is filmmaker Rachael J. Morrison’s debut feature documentary, which just premiered at the 2026 Sundance Film Festival in the U.S. Documentary Competition. Built almost entirely from archival film footage

Coming of Age, Directing, Documentaries, Drama, Film Festivals, Horror, Indie Films, LGBTQ+, Queer Stories, reviews, Screenwriting, Sundance

16 min read

Sundancing on My Own: My Four Extraordinary Days in Park City

by Matt Fagerholm

January 28, 2026

Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over

Documentaries, Film Festivals, International Films, Interviews

8 min read

“Women Make the Harsher Films”: Isa Willinger Revisits a Provocation in “No Mercy”

by Rebecca Martin

November 21, 2025

When cult filmmaker Kira Muratova told a young Isa Willinger, “The truth is, women make the harsher films,” the statement lodged itself in Willinger’s mind like a riddle. Could this

2025 Films, Documentaries, International Films, Interviews, Uncategorized

10 min read

“To Witness Is to Remember”: An Interview with Emily Mkrtichian

by Rebecca Martin

October 18, 2025

In 2018, filmmaker Emily Mkrtichian began work on what she envisioned as a quiet, contemplative documentary—a portrait of women in Artsakh, the ethnically Armenian region nestled in the South Caucasus,

2025 Films, Chicago, Comedy, Documentaries

6 min read

On Borrowed Time: The Beauty of “John Candy: I Like Me”

by Matt Fagerholm

October 8, 2025

“I remember John Candy’s presence much more clearly than that of John Hughes,” Gaby Hoffmann told me during our interview in 2012, after I asked her about her memories of

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