The Magic of Sundance: Stories from my last dance in Park City
Yes, you can just go to Sundance. Yes, you will definitely have fun. Yes, you will see celebrities. Yes, you will see movies that may win Oscars or launch the career of your favorite new filmmaker. No, it’s not easy to get there or get around. No, you won’t feel your healthiest while you are […]
Sundance 2026: Walking Through the In-Between — Malin Barr on “Sauna Sickness” and the Quiet Violence of Emotional Manipulation
My discussion with Swedish-native Malin Barr at Sundance quickly evolved beyond a standard interview. By the time we secured coffee amidst the festival’s intensity, the conversation felt like a continuation of an already established, deeply considered thought. Rather than a conventional, seated Q&A, this piece is a dynamic, walking dialogue. We moved through Park City’s […]
Sundance 2026: “Take Me Home” — Liz Sargent on Caregiving, Disability, and Imagining a More Supportive World
When “Take Me Home” premiered at the Sundance Film Festival, it arrived not only as an intimate debut feature but as the expansion of a story Liz Sargent has been living with — and refining — for years. Adapted from her acclaimed short film of the same name, which also screened at Sundance in 2023, […]
Breaking Through the Lens at Sundance: Filmmakers on Resilience, Risk, and Not Selling Out
There’s a particular kind of honesty that surfaces at Sundance—usually not on the red carpet, but in the quiet spaces where filmmakers gather to tell the truth about how hard this all really is. At the Canon Creative Studio Space in Park City, Breaking Through the Lens created one of those moments. The room was […]
Sundance 2026: Unapologetically Imperfect: Siri Hjorton Wagner on Female Desire and Motherhood in “Without Kelly”
“Without Kelly” screened at the 2026 Sundance Film Festival as part of the Shorts Program, following its Orizzonti International Short Film Award win at the Venice Film Festival. Made by Swedish filmmaking duo Lovisa Sirén (director) and Siri Hjorton Wagner (producer), the short offers a raw, intimate portrait of young single motherhood and the layered […]
Sundancing on My Own: My Four Extraordinary Days in Park City
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over four decades had always left me in awe. So many of my favorite films had premiered at Redford’s festival nestled in the snow-capped mountains of […]
“Women Make the Harsher Films”: Isa Willinger Revisits a Provocation in “No Mercy”
When cult filmmaker Kira Muratova told a young Isa Willinger, “The truth is, women make the harsher films,” the statement lodged itself in Willinger’s mind like a riddle. Could this really be true? So often, women and non-binary filmmakers are framed through the language of empathy, intuition, or sensitivity — rarely through force, severity, or […]
A Call for Peace and Human Connection: Hikari on “Rental Family”
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival screening of Hikari’s “Rental Family,” I overheard the woman next to me mention her plans to see my all-time favorite film, “It’s a Wonderful Life,” […]
Cinema Femme’s Most Anticipated Films at the 2025 New Orleans Film Festival
Rental Family, directed by Hikari Set in modern-day Tokyo, “Rental Family” follows an American actor (Brendan Fraser) who struggles to find purpose until he lands an unusual gig: working for a Japanese ‘rental family’ agency, playing stand-in roles for strangers. As he immerses himself in his clients’ worlds, he begins to form genuine bonds that […]
CIFF 2025: “The Girl in the Snow,” “The Testament of Ann Lee,” “It was Just an Accident,” “The Voice of Hind Rajab,” “The Plague,” and “Sound of Falling”
The Girl in the Snow One of the great discoveries I made at CIFF ten years ago was the talent of young Galatéa Bellugi. As a pregnant teen in the coming of age gem “Keeper” (no relation to Osgood Perkins’ upcoming thriller of the same name), Bellugi’s astonishing performance was one of the key reasons […]
“It’s Not Autobiographical—But It’s All Emotionally True”: Mary Bronstein on “If I Had Legs I’d Kick You”
Mary Bronstein is a writer/director based in New York City, known for her raw style, auteurist approach, and unflinching focus on stories about complicated women. Her best-known work, the cult-classic “Yeast,” earned her a dedicated following in the independent film world. Now, she returns with her long-awaited second feature, “If I Had Legs I’d Kick […]
Spritz & Sofia: My First Venice Film Festival
In 2019, I crashed the Cannes Film Festival. Well — not really. I went legitimately with a pass I applied for (if you work in the film industry, you usually qualify). But I had no purpose being there for work or business. I’m just working on my own film directing path and wanted to see […]