12 min read
by Rebecca Martin
June 10, 2026
I had the honor of speaking with Emmy-winning writer and executive producer Simran Baidwan, who has helped shape The Pitt into one of television’s most distinctive medical dramas. Much like
24 min read
by Matt Fagerholm
June 8, 2026
Upending an audience’s expectations has become one of the most joyous experiences to have in a movie theater, especially when so many releases from mainstream studios are content to remain
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
12 min read
by Matt Fagerholm
July 8, 2025
I was ten years old when Danny DeVito’s euphoric screen adaptation of Roald Dahl’s 1988 novel Matilda arrived in theaters. I had read the book so many times that the
14 min read
by Matt Fagerholm
June 24, 2025
As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of
17 min read
by Rebecca Martin
April 3, 2020
After my conversation with Elizabeth Palmore, who wrote the film “The Evening Hour” for the screen, that premiered at Sundance this year, it made me remember how much I wanted
23 min read
by Rebecca Martin
June 3, 2019
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