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Read our most recent issue with stories that validate, inspire, and change the way we see— and make — film.
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025...
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee...
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of...
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
8 min read
by Dawn Borchardt
January 29, 2026
“Joybubbles” is filmmaker Rachael J. Morrison’s debut feature documentary, which just premiered at the 2026 Sundance Film Festival in the U.S. Documentary Competition. Built almost entirely from archival film footage
6 min read
by Rebecca Martin
January 29, 2026
There’s a particular kind of honesty that surfaces at Sundance—usually not on the red carpet, but in the quiet spaces where filmmakers gather to tell the truth about how hard
8 min read
by Dawn Borchardt
January 28, 2026
“Without Kelly” screened at the 2026 Sundance Film Festival as part of the Shorts Program, following its Orizzonti International Short Film Award win at the Venice Film Festival. Made by
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
16 min read
by Elisa Shoenberger
January 20, 2026
The short film “4th Dementia” manages to do something incredible: make a film about Alzheimer’s Disease that is funny. It may seem like an unlikely premise, but this 16-minute short
7 min read
by Anna Pattison
January 6, 2026
The Chair Company follows Ron, who investigates a conspiracy after an embarrassing incident at work. How did you get started in cinematography? I grew up a big film lover. I
9 min read
by Rebecca Martin
December 23, 2025
I often think about a particular scene from the second series of “Fleabag” as the year draws to a close. Kristin Scott Thomas’s character, Belinda, is at a bar with
5 min read
by Rebecca Martin
December 19, 2025
Kaouther Ben Hania is a two-time Academy Award–nominated filmmaker whose fearless, formally inventive work has positioned her as one of the most vital voices in contemporary international cinema. Moving fluidly
5 min read
by Rebecca Martin
December 13, 2025
Annette Elliot is a Chicago-based writer and director whose work sits at the intersection of cinema, art history, and architecture. Drawing consciously from painting, sculpture, and the built environment, her
7 min read
by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
14 min read
by Rebecca Martin
March 3, 2026
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
8 min read
by Rebecca Martin
February 10, 2026
“The Way of the Whale” tells the untold story of an extraordinary interspecies bond — a connection so profound it feels like love — between humans and gray whales in
10 min read
by Rebecca Martin
February 10, 2026
My discussion with Swedish-native Malin Barr at Sundance quickly evolved beyond a standard interview. By the time we secured coffee amidst the festival’s intensity, the conversation felt like a continuation
7 min read
by Rebecca Martin
February 9, 2026
Cinema Femme is thrilled to reconnect with director, writer, and actress Gabriela Ortega on the occasion of her latest short film, “Marga en el DF”, which makes its World Premiere
20 min read
by Veronica Miles
October 10, 2025
In 2019, I crashed the Cannes Film Festival. Well — not really. I went legitimately with a pass I applied for (if you work in the film industry, you usually
11 min read
by Matt Fagerholm
September 30, 2025
“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about
12 min read
by Matt Fagerholm
July 8, 2025
I was ten years old when Danny DeVito’s euphoric screen adaptation of Roald Dahl’s 1988 novel Matilda arrived in theaters. I had read the book so many times that the
14 min read
by Matt Fagerholm
June 24, 2025
As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of
41 min read
by Matt Fagerholm
May 23, 2025
It’s difficult to put into words the gratitude I have for Sabrina S. Sutherland. The collaborations she forged with filmmaker David Lynch, particularly over the last decade, have transformed my
15 min read
by Emily Jacobson
May 20, 2025
Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often
21 min read
by Anna Pattison
May 1, 2025
Samantha (Sam) Cole returns to her childhood home when her mother suddenly passes. In place of familiar spaces and memories, Sam finds only uneasiness and confusion. Things are missing, the
21 min read
by Anna Pattison
April 18, 2025
From writer and director Florence Bouvy, “Where We Stay” is a beautiful and touching examination of human connection and unspoken truths. The film was partially inspired by Florence’s own story
10 min read
by Peyton Robinson
April 15, 2025
Cheryl Dunye is best known for her iconic film “The Watermelon Woman” — a tale of an aspiring Black lesbian filmmaker (played by Dunye herself) who seeks to learn more
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
14 min read
by Matt Fagerholm
November 4, 2025
I went into David Michôd’s biopic “Christy” knowing nothing about its titular boxer. I knew I would be interviewing the film’s real-life subject, Christy Salters Martin, the following morning, and
15 min read
by Emily Jacobson
May 20, 2025
Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often
21 min read
by Anna Pattison
April 18, 2025
From writer and director Florence Bouvy, “Where We Stay” is a beautiful and touching examination of human connection and unspoken truths. The film was partially inspired by Florence’s own story
10 min read
by Peyton Robinson
April 15, 2025
Cheryl Dunye is best known for her iconic film “The Watermelon Woman” — a tale of an aspiring Black lesbian filmmaker (played by Dunye herself) who seeks to learn more
8 min read
by Rebecca Martin
November 4, 2024
“This movie that saved my life also holds a complicated and controversial history in the queer film canon. I’m not seeking to change anyone’s mind with this film, but to
4 min read
by Rebecca Martin
July 3, 2024
I had the opportunity to speak with Jac Cron about her feature debut “Chestnut.” We talked about how she came to this project, and how her time after college was
13 min read
by cinemafemme
January 18, 2023
Melissa Marquez is the recipient of our “Black Panther: Wakanda Forever” submission contest. She was chosen for her unique and passionate perspective. We are also featuring runner up recipient Viridiana
5 min read
by Robyn Bacon
December 21, 2022
We saved this review to feature until closer to the release, coverage took place at the Toronto International Film Festival in September 2022. “Women Talking” comes to select theaters in
6 min read
by Peyton Robinson
September 22, 2022
Cinema Femme will be bringing you essays written by women and non-binary people about films that are cult classics and how they are impacting our world today. Today we feature
4 min read
by Rebecca Martin
July 27, 2022
The psychological horror film “Resurrection” comes to theaters this Friday, directed and written by Andrew Semans, and starring Rebecca Hall and Tim Roth. Available On Demand August 5th. In this film,
6 min read
by cinemafemme
July 22, 2022
We pulled some films from this year’s festivals that we feel are among 2022’s cinematic gems. These are the ones that could have been easily missed, but found by many
2 min read
by cinemafemme
June 7, 2022
Cinema Femme will be featuring our Letterboxd reviews as a series on our website. We started as a magazine focused on film criticism, we are now using Letterboxd as our
4 min read
by cinemafemme
January 24, 2022
Happening The two best films I’ve seen thus far in 2022 won acclaim on the festival circuit last year prior their premieres at Sundance, and both happen to be astonishingly
5 min read
by Rebecca Martin
March 31, 2020
Meet Sonja Farak. She is a 35-year-old chemist who develops an addiction for the drugs she’s testing at UMass Amherst, starting with cocaine. As her addiction blows up, it shines
6 min read
by cinemafemme
March 11, 2020
Author: Zainab Zeb Khan Iranian women’s rights have been a prime example of why personal stories are integral to understanding history. On March 1st, the Muslim American Leadership Alliance (MALA)
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About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
