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Read our most recent issue with stories that validate, inspire, and change the way we see— and make — film.
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025...
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee...
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of...
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
2 min read
by Rebecca Martin
October 6, 2018
Cinema Femme is meant to go beyond our digital pages. We are a movement. The Cinema Femme movement will support more female and diverse representation in film criticism, resulting in
7 min read
by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
14 min read
by Rebecca Martin
March 3, 2026
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
8 min read
by Rebecca Martin
February 10, 2026
“The Way of the Whale” tells the untold story of an extraordinary interspecies bond — a connection so profound it feels like love — between humans and gray whales in
10 min read
by Rebecca Martin
February 10, 2026
My discussion with Swedish-native Malin Barr at Sundance quickly evolved beyond a standard interview. By the time we secured coffee amidst the festival’s intensity, the conversation felt like a continuation
7 min read
by Rebecca Martin
February 9, 2026
Cinema Femme is thrilled to reconnect with director, writer, and actress Gabriela Ortega on the occasion of her latest short film, “Marga en el DF”, which makes its World Premiere
20 min read
by Veronica Miles
October 10, 2025
In 2019, I crashed the Cannes Film Festival. Well — not really. I went legitimately with a pass I applied for (if you work in the film industry, you usually
11 min read
by Matt Fagerholm
September 30, 2025
“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about
12 min read
by Matt Fagerholm
July 8, 2025
I was ten years old when Danny DeVito’s euphoric screen adaptation of Roald Dahl’s 1988 novel Matilda arrived in theaters. I had read the book so many times that the
14 min read
by Matt Fagerholm
June 24, 2025
As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of
41 min read
by Matt Fagerholm
May 23, 2025
It’s difficult to put into words the gratitude I have for Sabrina S. Sutherland. The collaborations she forged with filmmaker David Lynch, particularly over the last decade, have transformed my
15 min read
by Emily Jacobson
May 20, 2025
Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often
21 min read
by Anna Pattison
May 1, 2025
Samantha (Sam) Cole returns to her childhood home when her mother suddenly passes. In place of familiar spaces and memories, Sam finds only uneasiness and confusion. Things are missing, the
21 min read
by Anna Pattison
April 18, 2025
From writer and director Florence Bouvy, “Where We Stay” is a beautiful and touching examination of human connection and unspoken truths. The film was partially inspired by Florence’s own story
10 min read
by Peyton Robinson
April 15, 2025
Cheryl Dunye is best known for her iconic film “The Watermelon Woman” — a tale of an aspiring Black lesbian filmmaker (played by Dunye herself) who seeks to learn more
29 min read
by Matt Fagerholm
August 13, 2021
Emily Robinson is, without question, one of the most gifted and promising talents of her generation. She earned a Young Artist Award and Young Entertainer Award, as well as a Screen
4 min read
by cinemafemme
June 24, 2021
For Pride month Cinema Femme is excited to elevate Mary Tilden’s short film “Rough River Lake”. Read more about the film below, and please donate to support! Details below are
7 min read
by Dawn Borchardt
June 16, 2021
“The Novice” is the feature directorial debut from accomplished sound artist Lauren Hadaway. The film follows college student Alex (Isabelle Fuhrman), who finds herself obsessing over whatever she puts her
6 min read
by Marjorie H. Morgan
June 1, 2021
13 min read
by Rebecca Martin
May 19, 2021
Actor/writer Elliot Frances Flynn (“Shoplifters of the World”, “Mare of Easttown”), is an emerging talent who has been a strong supporter of Cinema Femme over the past year, and I’ve
3 min read
by cinemafemme
April 13, 2021
A CONVERSATION WITH ISABEL SANDOVAL, Wednesday, April 14th, at 4:00 PM EST, as part of our April Showcase. Join us as we pay tribute to filmmaker Isabel Sandoval (“Lingua Franca”) with a
15 min read
by Rebecca Martin
April 1, 2021
I was fortunate to see a rough cut of Jaclyn Bethany’s “Highway One” last year prior to my interview with the director. The film danced in my mind long after.
2 min read
by cinemafemme
March 23, 2021
“How Is This The World”: A mother befriends a burnt-out hacker to help search for her son in virtual reality. Credits: Written & Directed by Sadie Rogers Produced by Grace
15 min read
by Rebecca Martin
March 19, 2021
With the atrocities that happened this week in Atlanta that resulted in the deaths of Asian American women, and with the hashtag #StopAsianHate streaming through social media, a film like
9 min read
by Rebecca Martin
March 8, 2026
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
8 min read
by Peyton Robinson
February 9, 2026
Whether a creator or observer, one’s relationship with art dictates a host of qualities: values, ambitions, fantasies, etc. That umbrella term – art – can be composed of so many
6 min read
by Emily Jacobson
February 5, 2026
For my final dispatch of Sundance 2026, I talk about three films I screened virtually from home (though I originally saw “The Musical” in Park City, but I enjoyed it
8 min read
by Peyton Robinson
February 3, 2026
For many women, sexual discovery is a kind of reckoning. It comes in waves. Answering the question of “what was your first sexual experience?” can be immensely complex when bearing
7 min read
by Emily Jacobson
February 3, 2026
As I got deeper into the festival and more sleep deprived, my second dispatch from Sundance saw some common themes begin to emerge in the films I was seeing. In
4 min read
by Rebecca Martin
January 31, 2026
Barbara Hammer once said, “If we’re experimenting with our lives and the way we’re going to live, our film and our art should also be experimental. It breaks tradition, and
9 min read
by Emily Jacobson
January 30, 2026
When I landed in what would be the last Sundance in Park City, Utah, a notable feeling of gratitude washed over me. My first day was a frenzy of badge
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
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About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
