
Grace Glowicki On Her Original Vision of Frankenstein in “Dead Lover”
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
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About a year ago, I sat down for what was probably my sixth movie of the day at the 2025...
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee...
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of...
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
4 min read
by Pamela Powell
April 11, 2019
Josephine Mackerras debuted her first feature film, “Alice,” at the 2019 SXSW Film Festival. The story depicts how Alice, a wife and mother, reacts to her husband’s double life, leaving
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by Jaylan Salah
April 10, 2019
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by Rebecca Martin
April 10, 2019
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by Danielle Acton
April 9, 2019
The work I saw was crafted with time and effort and filled more than just quotas. They were filling us with inspiration for a future in which female-identifying filmmakers are
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by Rebecca Martin
April 9, 2019
If you’re not having a good time, find something else that gives you some joy in life. —Penny Marshall (October 15, 1943–December 17, 2018) When there is a passion inside
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by Pamela Powell
April 9, 2019
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by Rebecca Martin
March 8, 2019
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by cinemafemme
March 3, 2019
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by Rebecca Martin
February 26, 2019
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by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
14 min read
by Rebecca Martin
March 3, 2026
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
8 min read
by Rebecca Martin
February 10, 2026
“The Way of the Whale” tells the untold story of an extraordinary interspecies bond — a connection so profound it feels like love — between humans and gray whales in
10 min read
by Rebecca Martin
February 10, 2026
My discussion with Swedish-native Malin Barr at Sundance quickly evolved beyond a standard interview. By the time we secured coffee amidst the festival’s intensity, the conversation felt like a continuation
7 min read
by Rebecca Martin
February 9, 2026
Cinema Femme is thrilled to reconnect with director, writer, and actress Gabriela Ortega on the occasion of her latest short film, “Marga en el DF”, which makes its World Premiere
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
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by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
21 min read
by Veronica Miles
February 12, 2026
Yes, you can just go to Sundance. Yes, you will definitely have fun. Yes, you will see celebrities. Yes, you will see movies that may win Oscars or launch the
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
13 min read
by Matt Fagerholm
November 17, 2025
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival
14 min read
by Anna Pattison
November 1, 2025
When a laid-off sex worker falls for a mail carrier in a world frozen by pandemic unknowns, it will take the help of an astrologer, cinema guru, cam model, retired dungeon owner,
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by Matt Fagerholm
October 25, 2025
With the 61st Chicago International Film Festival nearly in the rearview mirror, there are so many memories from the past several days that I know I will be cherishing for
29 min read
by Matt Fagerholm
August 13, 2021
Emily Robinson is, without question, one of the most gifted and promising talents of her generation. She earned a Young Artist Award and Young Entertainer Award, as well as a Screen
4 min read
by cinemafemme
June 24, 2021
For Pride month Cinema Femme is excited to elevate Mary Tilden’s short film “Rough River Lake”. Read more about the film below, and please donate to support! Details below are
7 min read
by Dawn Borchardt
June 16, 2021
“The Novice” is the feature directorial debut from accomplished sound artist Lauren Hadaway. The film follows college student Alex (Isabelle Fuhrman), who finds herself obsessing over whatever she puts her
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by Marjorie H. Morgan
June 1, 2021
13 min read
by Rebecca Martin
May 19, 2021
Actor/writer Elliot Frances Flynn (“Shoplifters of the World”, “Mare of Easttown”), is an emerging talent who has been a strong supporter of Cinema Femme over the past year, and I’ve
3 min read
by cinemafemme
April 13, 2021
A CONVERSATION WITH ISABEL SANDOVAL, Wednesday, April 14th, at 4:00 PM EST, as part of our April Showcase. Join us as we pay tribute to filmmaker Isabel Sandoval (“Lingua Franca”) with a
15 min read
by Rebecca Martin
April 1, 2021
I was fortunate to see a rough cut of Jaclyn Bethany’s “Highway One” last year prior to my interview with the director. The film danced in my mind long after.
2 min read
by cinemafemme
March 23, 2021
“How Is This The World”: A mother befriends a burnt-out hacker to help search for her son in virtual reality. Credits: Written & Directed by Sadie Rogers Produced by Grace
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by Rebecca Martin
March 19, 2021
With the atrocities that happened this week in Atlanta that resulted in the deaths of Asian American women, and with the hashtag #StopAsianHate streaming through social media, a film like
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by cinemafemme
January 18, 2023
Melissa Marquez is the recipient of our “Black Panther: Wakanda Forever” submission contest. She was chosen for her unique and passionate perspective. We are also featuring runner up recipient Viridiana
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by Robyn Bacon
December 21, 2022
We saved this review to feature until closer to the release, coverage took place at the Toronto International Film Festival in September 2022. “Women Talking” comes to select theaters in
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by Peyton Robinson
September 22, 2022
Cinema Femme will be bringing you essays written by women and non-binary people about films that are cult classics and how they are impacting our world today. Today we feature
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by Rebecca Martin
July 27, 2022
The psychological horror film “Resurrection” comes to theaters this Friday, directed and written by Andrew Semans, and starring Rebecca Hall and Tim Roth. Available On Demand August 5th. In this film,
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by cinemafemme
July 22, 2022
We pulled some films from this year’s festivals that we feel are among 2022’s cinematic gems. These are the ones that could have been easily missed, but found by many
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by cinemafemme
June 7, 2022
Cinema Femme will be featuring our Letterboxd reviews as a series on our website. We started as a magazine focused on film criticism, we are now using Letterboxd as our
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by cinemafemme
January 24, 2022
Happening The two best films I’ve seen thus far in 2022 won acclaim on the festival circuit last year prior their premieres at Sundance, and both happen to be astonishingly
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by Rebecca Martin
March 31, 2020
Meet Sonja Farak. She is a 35-year-old chemist who develops an addiction for the drugs she’s testing at UMass Amherst, starting with cocaine. As her addiction blows up, it shines
6 min read
by cinemafemme
March 11, 2020
Author: Zainab Zeb Khan Iranian women’s rights have been a prime example of why personal stories are integral to understanding history. On March 1st, the Muslim American Leadership Alliance (MALA)
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About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes

As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a

For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding

In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,

About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes

As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a

For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding

In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,

About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes

As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a

For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding

In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,