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Read our most recent issue with stories that validate, inspire, and change the way we see— and make — film.
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025...
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee...
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of...
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
2 min read
by Rebecca Martin
October 6, 2018
Cinema Femme is meant to go beyond our digital pages. We are a movement. The Cinema Femme movement will support more female and diverse representation in film criticism, resulting in
7 min read
by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
14 min read
by Rebecca Martin
March 3, 2026
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
8 min read
by Rebecca Martin
February 10, 2026
“The Way of the Whale” tells the untold story of an extraordinary interspecies bond — a connection so profound it feels like love — between humans and gray whales in
10 min read
by Rebecca Martin
February 10, 2026
My discussion with Swedish-native Malin Barr at Sundance quickly evolved beyond a standard interview. By the time we secured coffee amidst the festival’s intensity, the conversation felt like a continuation
7 min read
by Rebecca Martin
February 9, 2026
Cinema Femme is thrilled to reconnect with director, writer, and actress Gabriela Ortega on the occasion of her latest short film, “Marga en el DF”, which makes its World Premiere
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
21 min read
by Veronica Miles
February 12, 2026
Yes, you can just go to Sundance. Yes, you will definitely have fun. Yes, you will see celebrities. Yes, you will see movies that may win Oscars or launch the
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
13 min read
by Matt Fagerholm
November 17, 2025
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival
14 min read
by Anna Pattison
November 1, 2025
When a laid-off sex worker falls for a mail carrier in a world frozen by pandemic unknowns, it will take the help of an astrologer, cinema guru, cam model, retired dungeon owner,
14 min read
by Matt Fagerholm
October 25, 2025
With the 61st Chicago International Film Festival nearly in the rearview mirror, there are so many memories from the past several days that I know I will be cherishing for
29 min read
by Matt Fagerholm
August 13, 2021
Emily Robinson is, without question, one of the most gifted and promising talents of her generation. She earned a Young Artist Award and Young Entertainer Award, as well as a Screen
4 min read
by cinemafemme
June 24, 2021
For Pride month Cinema Femme is excited to elevate Mary Tilden’s short film “Rough River Lake”. Read more about the film below, and please donate to support! Details below are
7 min read
by Dawn Borchardt
June 16, 2021
“The Novice” is the feature directorial debut from accomplished sound artist Lauren Hadaway. The film follows college student Alex (Isabelle Fuhrman), who finds herself obsessing over whatever she puts her
6 min read
by Marjorie H. Morgan
June 1, 2021
13 min read
by Rebecca Martin
May 19, 2021
Actor/writer Elliot Frances Flynn (“Shoplifters of the World”, “Mare of Easttown”), is an emerging talent who has been a strong supporter of Cinema Femme over the past year, and I’ve
3 min read
by cinemafemme
April 13, 2021
A CONVERSATION WITH ISABEL SANDOVAL, Wednesday, April 14th, at 4:00 PM EST, as part of our April Showcase. Join us as we pay tribute to filmmaker Isabel Sandoval (“Lingua Franca”) with a
15 min read
by Rebecca Martin
April 1, 2021
I was fortunate to see a rough cut of Jaclyn Bethany’s “Highway One” last year prior to my interview with the director. The film danced in my mind long after.
2 min read
by cinemafemme
March 23, 2021
“How Is This The World”: A mother befriends a burnt-out hacker to help search for her son in virtual reality. Credits: Written & Directed by Sadie Rogers Produced by Grace
15 min read
by Rebecca Martin
March 19, 2021
With the atrocities that happened this week in Atlanta that resulted in the deaths of Asian American women, and with the hashtag #StopAsianHate streaming through social media, a film like
9 min read
by Emily Jacobson
October 31, 2024
This past year has seen a wave of female directed movies – whether it be horror, drama, or comedy – fixed upon the female body. Unsurprisingly, with the political climate
8 min read
by Peyton Robinson
October 31, 2024
I have always found that the Chicago International Film Festival is a formidable venue for riveting, empathetic tales about women and girls. Last year, “Paradise is Burning” was my favorite
8 min read
by Rebecca Martin
October 27, 2024
Sexual assault is sadly the most inclusive crime there is. I don’t know a single person, man or woman, who has not been somehow, whether they know it or not,
3 min read
by Peyton Robinson
October 16, 2024
You can see “Desert Angel” at the Austin Film Festival on Saturday October 26, 2024 6:45pm – 8:32pm CDT at the Galaxy 9 theater. Learn more here: https://2024austinfilmfestival.sched.com/event/1mKcL/desert-angel,
5 min read
by cinemafemme
September 27, 2024
APARTMENT 7A – directed by Natalie Erika James With the overturning of Roe v. Wade, it makes complete sense that 2024 has been loaded with not only horror prequels, but
4 min read
by Peyton Robinson
September 13, 2024
Seattle’s Aurora Avenue is infamous for being an epicenter of prostitution. However, this generalized reputation fails to recognize the individuality and humanity of the sex workers who inhabit the area.
6 min read
by cinemafemme
June 14, 2024
Cora Bora – Hannah Utt (script written by Rhianon Jones) Catch the NYC and LA premieres this weekend! Megan Stalter reminds me of Catherine O’Hara when she was getting started
6 min read
by cinemafemme
May 24, 2024
Babes – Pamela Adlon (screens in theaters nationwide starting today) At the beginning of the film “Babes,” directed by Pamela Adlon, we start with two childhood best friends, Eden (Ilana
3 min read
by Peyton Robinson
May 8, 2024
“[subtext]” is the recipient of the Critic’s Choice Award for the 2024 Cinema Femme Short Film Festival. This award is given by a film critic, and this year, the film
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About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
