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Read our most recent issue with stories that validate, inspire, and change the way we see— and make — film.
Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the...
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie...
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of...
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
8 min read
by Rebecca Martin
April 16, 2026
Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the April 2026 Femme Film Series—”The Chronology of Water,” “My NDA,”
25 min read
by Matt Fagerholm
April 13, 2026
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally
18 min read
by Zachary Lee
April 11, 2026
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous as it is today. The
4 min read
by cinemafemme
April 6, 2026
Submissions Link: filmfreeway.com/CinemaFemme 🎬 Cinema Femme Short Film Festival Returns to the Music Box Theatre and New Festival Director Announced Cinema Femme Short Film Festival Announces 2026 Dates, Opens Film
5 min read
by Rebecca Martin
April 1, 2026
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling of Physical. Now, with her
7 min read
by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
9 min read
by Rebecca Martin
March 8, 2026
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the
25 min read
by Matt Fagerholm
April 13, 2026
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally
18 min read
by Zachary Lee
April 11, 2026
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous as it is today. The
5 min read
by Rebecca Martin
April 1, 2026
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling of Physical. Now, with her
7 min read
by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
14 min read
by Rebecca Martin
March 3, 2026
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
25 min read
by Matt Fagerholm
April 13, 2026
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
21 min read
by Veronica Miles
February 12, 2026
Yes, you can just go to Sundance. Yes, you will definitely have fun. Yes, you will see celebrities. Yes, you will see movies that may win Oscars or launch the
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
13 min read
by Matt Fagerholm
November 17, 2025
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival
14 min read
by Anna Pattison
November 1, 2025
When a laid-off sex worker falls for a mail carrier in a world frozen by pandemic unknowns, it will take the help of an astrologer, cinema guru, cam model, retired dungeon owner,
4 min read
by Rebecca Martin
July 3, 2024
I had the opportunity to speak with Jac Cron about her feature debut “Chestnut.” We talked about how she came to this project, and how her time after college was
6 min read
by cinemafemme
June 14, 2024
Cora Bora – Hannah Utt (script written by Rhianon Jones) Catch the NYC and LA premieres this weekend! Megan Stalter reminds me of Catherine O’Hara when she was getting started
33 min read
by Matt Fagerholm
June 3, 2024
Every once in a while, I come across a film that feels as if it has been made especially for me. That happened most recently at this year’s joyous in-person
12 min read
by Rebecca Martin
May 29, 2024
“Tell That to the Winter Sea” is a masterfully crafted journey into womanhood, filled with captivating performances, stunning visuals and assured direction. The film brings me back to being a
5 min read
by Emily Jacobson
January 25, 2024
On Friday, January 19th, the Utah House of Representatives voted to advance a restrictive anti-trans bill outlawing trans people from using bathrooms aligning with their gender identity. It will now
16 min read
by Rebecca Martin
August 31, 2023
Speaking with “American Psycho” screenwriter Guinevere Turner about her book When the World Didn’t End: A Memoir and her films that have changed the face of independent cinema, like “Go
8 min read
by Rebecca Martin
August 26, 2023
“I feel like we’ve watched so many male anti-hero stories, whether they’re comedies or dramas or mysteries, and it’s crazy that in 2023, we’re still so hungry for shitty, flawed
9 min read
by Rebecca Martin
August 1, 2023
We need authentic stories, even in the rom-com genre. New Zealand filmmaker Anna Rose Duckworth agrees with this! She beautifully paints the line between romantic comedy and elevating humanity within
11 min read
by Rebecca Martin
June 23, 2023
Trauma and pleasure. Two things that are different, yet when it comes to sex, the one sometimes can bring shame to the other. One is not our fault, the trauma
8 min read
by Rebecca Martin
April 16, 2026
Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the April 2026 Femme Film Series—”The Chronology of Water,” “My NDA,”
9 min read
by Rebecca Martin
March 8, 2026
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
8 min read
by Peyton Robinson
February 9, 2026
Whether a creator or observer, one’s relationship with art dictates a host of qualities: values, ambitions, fantasies, etc. That umbrella term – art – can be composed of so many
6 min read
by Emily Jacobson
February 5, 2026
For my final dispatch of Sundance 2026, I talk about three films I screened virtually from home (though I originally saw “The Musical” in Park City, but I enjoyed it
8 min read
by Peyton Robinson
February 3, 2026
For many women, sexual discovery is a kind of reckoning. It comes in waves. Answering the question of “what was your first sexual experience?” can be immensely complex when bearing
7 min read
by Emily Jacobson
February 3, 2026
As I got deeper into the festival and more sleep deprived, my second dispatch from Sundance saw some common themes begin to emerge in the films I was seeing. In
4 min read
by Rebecca Martin
January 31, 2026
Barbara Hammer once said, “If we’re experimenting with our lives and the way we’re going to live, our film and our art should also be experimental. It breaks tradition, and
9 min read
by Emily Jacobson
January 30, 2026
When I landed in what would be the last Sundance in Park City, Utah, a notable feeling of gratitude washed over me. My first day was a frenzy of badge
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Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the April 2026 Femme Film Series—”The
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous
Submissions Link: filmfreeway.com/CinemaFemme 🎬 Cinema Femme Short Film Festival Returns to the Music Box Theatre and New Festival Director Announced Cinema Femme Short Film Festival
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the April 2026 Femme Film Series—”The
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous
Submissions Link: filmfreeway.com/CinemaFemme 🎬 Cinema Femme Short Film Festival Returns to the Music Box Theatre and New Festival Director Announced Cinema Femme Short Film Festival
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the April 2026 Femme Film Series—”The
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous
Submissions Link: filmfreeway.com/CinemaFemme 🎬 Cinema Femme Short Film Festival Returns to the Music Box Theatre and New Festival Director Announced Cinema Femme Short Film Festival
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
