Tickets and VIP passes on sale NOW for the 2025 Cinema Femme Short Film Festival in Chicago from July 17 - 21!
Read our most recent issue with stories that validate, inspire, and change the way we see— and make — film.
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025...
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee...
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of...
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
7 min read
by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
9 min read
by Rebecca Martin
March 8, 2026
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
14 min read
by Rebecca Martin
March 3, 2026
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color
8 min read
by Davide Abbatescianni
February 22, 2026
Premiering in the Big Screen Competition at IFFR (29 January–8 February), “Butterfly” marks Itonje Søimer Guttormsen’s return to feature filmmaking five years after “Gritt.” Set in Gran Canaria, the film
6 min read
by Anna Pattison
February 20, 2026
The logline, “A Mormon couple ties the knot,” already had me invested but reading the synopsis sealed the deal: “It’s wedding day at the Mormon Temple. For wide-eyed Sydney, it’s
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
5 min read
by Rebecca Martin
November 8, 2018
I had the pleasure of interviewing Laura Moss, NYC-based filmmaker. I met Laura last year at the Chicago Critics Film Festival, where I saw her short film “Fry Day.” I
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
21 min read
by Veronica Miles
February 12, 2026
Yes, you can just go to Sundance. Yes, you will definitely have fun. Yes, you will see celebrities. Yes, you will see movies that may win Oscars or launch the
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
13 min read
by Matt Fagerholm
November 17, 2025
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival
14 min read
by Anna Pattison
November 1, 2025
When a laid-off sex worker falls for a mail carrier in a world frozen by pandemic unknowns, it will take the help of an astrologer, cinema guru, cam model, retired dungeon owner,
14 min read
by Matt Fagerholm
October 25, 2025
With the 61st Chicago International Film Festival nearly in the rearview mirror, there are so many memories from the past several days that I know I will be cherishing for
29 min read
by Matt Fagerholm
August 13, 2021
Emily Robinson is, without question, one of the most gifted and promising talents of her generation. She earned a Young Artist Award and Young Entertainer Award, as well as a Screen
4 min read
by cinemafemme
June 24, 2021
For Pride month Cinema Femme is excited to elevate Mary Tilden’s short film “Rough River Lake”. Read more about the film below, and please donate to support! Details below are
7 min read
by Dawn Borchardt
June 16, 2021
“The Novice” is the feature directorial debut from accomplished sound artist Lauren Hadaway. The film follows college student Alex (Isabelle Fuhrman), who finds herself obsessing over whatever she puts her
6 min read
by Marjorie H. Morgan
June 1, 2021
13 min read
by Rebecca Martin
May 19, 2021
Actor/writer Elliot Frances Flynn (“Shoplifters of the World”, “Mare of Easttown”), is an emerging talent who has been a strong supporter of Cinema Femme over the past year, and I’ve
3 min read
by cinemafemme
April 13, 2021
A CONVERSATION WITH ISABEL SANDOVAL, Wednesday, April 14th, at 4:00 PM EST, as part of our April Showcase. Join us as we pay tribute to filmmaker Isabel Sandoval (“Lingua Franca”) with a
15 min read
by Rebecca Martin
April 1, 2021
I was fortunate to see a rough cut of Jaclyn Bethany’s “Highway One” last year prior to my interview with the director. The film danced in my mind long after.
2 min read
by cinemafemme
March 23, 2021
“How Is This The World”: A mother befriends a burnt-out hacker to help search for her son in virtual reality. Credits: Written & Directed by Sadie Rogers Produced by Grace
15 min read
by Rebecca Martin
March 19, 2021
With the atrocities that happened this week in Atlanta that resulted in the deaths of Asian American women, and with the hashtag #StopAsianHate streaming through social media, a film like
7 min read
by Rebecca Martin
June 8, 2023
Filmmaker Celine Song had a unique moment when her childhood sweetheart and her husband met. This moment was very significant to her, and it became the seed of her film,
3 min read
by Peyton Robinson
May 9, 2023
Juli Del Prete and her short film “Caroline” was awarded the Critics’ Choice award for the 2023 Cinema Femme Short Film Festival. With their award recognition a review was written
10 min read
by Elena Rubashevskaja
February 14, 2023
The festival year started for me in a most unexpected way, on January 14, 2023, I landed in Bangladesh, a place I’d never been before and would not have normally
13 min read
by cinemafemme
February 1, 2023
Words from Managing Editor Rebecca Martin Fagerholm: When we watch films, we desire a connection that enlightens and represents who we really are as people. This year at Sundance, I
4 min read
by Peyton Robinson
January 29, 2023
A.V. Rockwell’s debut feature “A Thousand and One” is an earth-shattering revelation. Taking place in Harlem from the mid-1990s to mid-2000s, the film is not only a document of a
4 min read
by Peyton Robinson
January 28, 2023
One day every mother must come to terms with the fact that their little girls will grow into women. As those changes begin to take place, so does the realization
4 min read
by Peyton Robinson
January 27, 2023
An inherent part of female existence is the eventual realization that in most social contexts, you and your body are viewed as a resource and commodity. The consequential aspect of
5 min read
by Peyton Robinson
January 25, 2023
Alice Englert’s directorial debut, “Bad Behaviour,” walks a tightrope, for its almost two hour long runtime. Lucy (Jennifer Connelly) is pursuing enlightenment while her daughter, Dylan (director Alice Englert), is
4 min read
by Peyton Robinson
January 22, 2023
What is a woman? There are countless amounts of social qualifications ranging from personality to action to life trajectory that shift and alter with both time and culture. Does the
Join us in fostering a vibrant film culture through strategic partnerships. Together, we can create opportunities that benefit both your organization and our community.
By clicking Join Us, you agree to our Terms and Conditions.
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
