There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about
Director-writer-actress Uisenma Borchu’s second film, Black Milk [+], played in the Panorama section of the 70th Berlin Film Festival. Born in Mongolia in 1984, Borchu came to the German Democratic Republic aged four. She