Featured back in October 2019. We aren’t just taking down ceilings, we are busting down walls. Because you take out a ceiling and the building will stand, but if you … Continue reading Breaking down walls and redesigning them: Production Design Oscar winner Hannah Beachler talks Wakanda, ‘Moonlight’, and more
Earlier this year, we chose “Black Panther” to be our film focus for our January issue (read my editor’s letter here). I chose the film because of its global impact … Continue reading Cinema Femme Voices: ‘Black Panther’
During my trip in Los Angeles, I had the pleasure of meeting Dr. Caroline Heldman, research director at the Geena Davis Institute on Gender in Media, associate professor of politics at Occidental College, and executive director of The Representation Project.
General Okoye, Spy Nakia, Princess Shuri. The film might be “Black Panther” (2018), but without these women, there would be no T’Challa, no Black Panther, no Wakanda, no Earth. While T’Challa was coping with his new role and doubting everything he knew, the women of Wakanda were by his side, showing him who they already knew him to be.
The message of “Black Panther” is that the potential and influence of women must not be ignored or discounted. From the strategic actions of Nakia as an undercover spy and refugee saviour on a personal mission who will not abandon her calling, to the knowledge centre of Shuri, who has the final words of the film when she says to the injured Westerner Sergeant Barnes, “Come, there is much more for you to learn,” all the women excel as examples of depth and variety of the Black woman.
Watching “Black Panther” has given me a similar experience, being from a country that most privileged nations deem “third world,” “regressed,” and “developing.” I belong to the same continent, if from a different sector with a different cultural backdrop and political history.
Thank you to all who came out Wednesday to Revolution Brewing to celebrate the second issue of Cinema Femme magazine! Here are photos from the event.
Ryan Coogler’s “Black Panther” (2018) was chosen for our New Year issue because of the hope this film brought for onscreen representation, and because it’s proof that diverse, strong female characters do well in the box office.