Meeting Pamela, I could feel the force of nature of Alice Guy-Blaché through her passionate words and her film. It’s like Alice called out to Pamela to introduce her to our modern-day world, and she answered the call. The film gave me and the rest of the viewers of the screening such a gift to meet Alice and fall in love with her during the process.
Personally, I’d like to think that the changes in my life stem from my passions. I’m passionate about women’s stories through the lens of film. It is important that these stories are seen and heard. To celebrate International Women’s Day, I’d like to highlight some films directed by women who are great storytellers.
Thank you all who came out last night to celebrate Cinema Femme’s Issue 3 at WeWork!
“Sometime during that process, Michael Radner, he’s my godfather, he told me that Lisa D’Apolito was making “Love, Gilda” (2018). Once I finally had a chance to meet Lisa, I was really relieved, because Gilda’s story was a lot more personal. It was my role to make sure that number one, Gilda’s portrayed in a positive light, and thinking of things as a friend. So I met her and saw the assembly cut and thought, she knows what she’s doing, and she cared about how Gilda was portrayed. She would ask herself with every decision how Gilda would have felt about it. And Lisa has a background in advertising and production, so she did know film, and made everything look and sound great.”
Both willingly and unwillingly, Yance and so many others have done so much emotional labor to tell us their stories and relive their trauma, all to reveal to us the racism, sexism, bigotry, homophobia, and overall hatred that still exists and causes unfathomable pain, and it’s our job and responsibility to pay attention.
General Okoye, Spy Nakia, Princess Shuri. The film might be “Black Panther” (2018), but without these women, there would be no T’Challa, no Black Panther, no Wakanda, no Earth. While T’Challa was coping with his new role and doubting everything he knew, the women of Wakanda were by his side, showing him who they already knew him to be.
Thank you to all who came out Wednesday to Revolution Brewing to celebrate the second issue of Cinema Femme magazine! Here are photos from the event.
Ryan Coogler’s “Black Panther” (2018) was chosen for our New Year issue because of the hope this film brought for onscreen representation, and because it’s proof that diverse, strong female characters do well in the box office.
Happy holidays from the staff at Cinema Femme magazine! If you’re still looking for gift ideas for the film aficionados, women in film, or just awesome people in your life, here are some of our favorite gifts.
For me, movies have always felt like home. I watch films not just for enjoyment, but for finding a deepness in life, finding understanding, finding that place where I feel like I belong.
Statistics about Female Film Critics A September 2018 report from Dr. Stacy L. Smith and the USC Annenberg Inclusion Initiative (and conducted with Time’s Up Entertainment) used reviews of 300 top-grossing films from 2015–2017 posted on Rotten Tomatoes to assess gender and race/ethnicity of critics, including […]
It took the rest of the Lisbon girls a little while longer to learn, but not much longer. Lux mostly got the lesson from Trip. Waking up to find you’ve been abandoned in the middle of a football field is a harsh way to wake up, in more ways than one, but her excursions to the roof solidified the knowledge. In the iconic shot of her with her cigarette, staring into nothing, there’s a coldness in her eyes that we hadn’t seen before, that only shows up in a girl’s face after she’s learned that she’s on her own.