david lynch

2025 Films, Berlinale, Cinematographer, Comedy, Coming of Age, Directing, Drama, Film Editing, Film Festivals, Indie Films, Interviews, Now Playing, producer, Sexual Assault Awareness, Short Films

24 min read

Transcend the Trauma: Giovanna Molina on “Quaker,” “Hickey,” and Her Upcoming Film, “Kismet”

by Matt Fagerholm

April 29, 2026

It’s a special kind of thrill when the greatness of an emerging filmmaker’s work hits you like a thunderbolt. That’s precisely what happened to me upon discovering the sublimely nuanced

Books, Cult Classic, Directing, Film History, Interviews, TV, Twin Peaks

22 min read

Two Ends of Reality: Martha P. Nochimson on “Quantum Screens: Nonlinear Universes in Film and Television”

by Matt Fagerholm

March 13, 2026

As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in

Coming of Age, Directing, Documentaries, Drama, Film Festivals, Horror, Indie Films, LGBTQ+, Queer Stories, reviews, Screenwriting, Sundance

16 min read

Sundancing on My Own: My Four Extraordinary Days in Park City

by Matt Fagerholm

January 28, 2026

Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over

Chicago, composer, Holiday, Horror, Indie Films, Interviews

17 min read

Being Fully Present: Alicia Witt on David Lynch, “Longlegs,” Her New Concert Tour and More

by Matt Fagerholm

December 5, 2025

A longtime holiday wish of mine will be granted this month when I finally get to see one of my favorite actors perform in person. As part of her “Spending

Cult Classic, Directing, Film Editing, Indie Films, Interviews, producer, Television, TV

41 min read

He Believed in Me: Sabrina S. Sutherland on Her Favorite Person, David Lynch

by Matt Fagerholm

May 23, 2025

It’s difficult to put into words the gratitude I have for Sabrina S. Sutherland. The collaborations she forged with filmmaker David Lynch, particularly over the last decade, have transformed my

composer, Film Editing, Interviews, Television

40 min read

An Editor’s Dream: Lori Eschler and Scott Ryan on “Always Music in the Air: The Sounds of Twin Peaks”

by Matt Fagerholm

May 19, 2025

In April of 2022, I attended the most euphoric moviegoing marathon of my life when curator Daniel Knox hosted “David Lynch: A Complete Retrospective—The Return” at Chicago’s own Club Silencio,

2025 Films, Chicago, Cult Classic, Documentaries, Indie Films, Interviews, TV

22 min read

Beauty in Vulnerability: Richard Green and Claire Coulson-Ollivier on “I Know Catherine, the Log Lady”

by Matt Fagerholm

April 12, 2025

This was one of two Log Lady quotes I incorporated into my speech while officiating my brother-in-law and fellow “Twin Peaks” fan Joe’s wedding last year in Washington state. It

2025 Films, reviews

3 min read

Femme Film Friday: “Being Maria” and “I Know Catherine, the Log Lady”

by cinemafemme

April 11, 2025

BEING MARIA – directed by Jessica Palud “I want to be free as an actor to explore where a scene can go, but if it’s going to be a fight

Interviews, Slamdance

17 min read

Slamdance 2023: Wendy McColm on Their Audacious Triumph, “Fuzzy Head”

by Matt Fagerholm

January 18, 2023

“To understand my work,” David Lynch once told a bewildered moviegoer in Chicago, “you must follow the emotion. Because if you follow the buttermilk, you’ll end up going to the

Interviews, LGBTQ+

13 min read

To Be a Free Person: Ksenia Ivanova on “Jack and Anna”

by Matt Fagerholm

June 29, 2020

“For many years, I had to confront the cruel system in my home country that does not tolerate people with a different mindset. People judged me for my ideas as

Chicago, Coming of Age, Halloween, Interviews, LGBTQ+

10 min read

A cult classic is in our midst with Jennifer Reeder’s teen noir ‘Knives and Skin’

by Rebecca Martin

December 5, 2019

"Knives and Skin" follows the investigation of a young girl's disappearance in a rural Midwest town. The coming-of-age film has been described as a mix of Lynchian thriller and high