Look Back: Cinema Femme Voices: “Black Panther”
With the release of “Black Panther: Wakanda Forever” coming this Friday (11/11/22) we bring back snippets of our January 2019 Black Panther issue and our interview with Oscar-Winning Production Designer Hannah Beachler. Earlier this year, we chose “Black Panther” to be our film focus for our January issue (read my editor’s letter here). I chose […]
‘Maiden’: How an all-women sailing team fought sexism and made history
“Maiden” (2019) is the harrowing true tale of how Skipper Tracy Edwards pushed against the acceptable gender tides of racing in 1989–1990 and then changed the boat racing world and women’s education to today.
Director Laure de Clermont-Tonnerre on animal therapy, rehabilitation, and second chances
Laure de Clermont-Tonnerre has written and directed a uniquely evocative and stunning film that reassesses humanity and our need for connection seen through the lens of a hopeless and withdrawn prison inmate who participates in a horse rehabilitation training program.
Director Gillian Greene on comedy ‘Fanboy’ and finding humor in everyday life
While the film was only meant to demonstrate her skills as a director to get work for feature films, Greene wanted to share this charming comedy about a South Carolina video store employee (Fran Kranz) who dreams of being in Sam Raimi’s sequel to “For Love of the Game” and tries his hand at the Hollywood scene.
With ‘Alice,’ director Josephine Mackerras explores preconceived notions of independence, motherhood, and marriage
Josephine Mackerras debuted her first feature film, “Alice,” at the 2019 SXSW Film Festival. The story depicts how Alice, a wife and mother, reacts to her husband’s double life, leaving them in debt and on the brink of eviction. Where she turns is an unexpected choice, creating emotionally loaded questions regarding preconceived notions of independence, […]
A conversation between Cinema Femme founder Rebecca Martin and film critic Danielle Solzman
“This past season, GLAAD did their report, and there’s been an increase of trans actors in series, but a lot of that is because of “Pose” (2018). So it would be nice to see more trans actors taking on roles. But I’d like to see, not so much because of the story, but casting directors being like, “Hey, you don’t necessarily need to write this character as cis; it can be a trans person.” “The Sisters Brothers” (2018) and “Colette” (2018) both had trans actors playing cisgender characters.”
‘Hail Satan?’: interview with documentary filmmaker Penny Lane
“Hail Satan?” (2019) is not only an eye-catching title, the content is eye-opening! The upbeat, energetic, and talented documentary filmmaker Penny Lane gave Sundance audiences food for thought in this hilarious new film that reveals the truth about The Satanic Temple and our own country’s issues with separation of Church and State.
A conversation between Cinema Femme founder Rebecca Martin and film critic Pamela Powell
I met film critic Pamela Powell through Twitter. She had taken a video of actress Gugu Mbatha-Raw’s Q&A after the screening of her film “Fast Color” (directed by Julia Hart) at the Chicago Critics Film Festival. Her praise for Gugu drew me to her as a critic. I retweeted her post, and the rest is history. Months later, I’m so happy to get the opportunity to interview her and share her story.