“Maiden” (2019) is the harrowing true tale of how Skipper Tracy Edwards pushed against the acceptable gender tides of racing in 1989–1990 and then changed the boat racing world and women’s education to today.
Laure de Clermont-Tonnerre has written and directed a uniquely evocative and stunning film that reassesses humanity and our need for connection seen through the lens of a hopeless and withdrawn prison inmate who participates in a horse rehabilitation training program.
While the film was only meant to demonstrate her skills as a director to get work for feature films, Greene wanted to share this charming comedy about a South Carolina video store employee (Fran Kranz) who dreams of being in Sam Raimi’s sequel to “For Love of the Game” and tries his hand at the Hollywood scene.
Josephine Mackerras debuted her first feature film, “Alice,” at the 2019 SXSW Film Festival. The story depicts how Alice, a wife and mother, reacts to her husband’s double life, leaving … Continue reading With ‘Alice,’ director Josephine Mackerras explores preconceived notions of independence, motherhood, and marriage
“This past season, GLAAD did their report, and there’s been an increase of trans actors in series, but a lot of that is because of “Pose” (2018). So it would be nice to see more trans actors taking on roles. But I’d like to see, not so much because of the story, but casting directors being like, “Hey, you don’t necessarily need to write this character as cis; it can be a trans person.” “The Sisters Brothers” (2018) and “Colette” (2018) both had trans actors playing cisgender characters.”
“Hail Satan?” (2019) is not only an eye-catching title, the content is eye-opening! The upbeat, energetic, and talented documentary filmmaker Penny Lane gave Sundance audiences food for thought in this hilarious new film that reveals the truth about The Satanic Temple and our own country’s issues with separation of Church and State.
I met film critic Pamela Powell through Twitter. She had taken a video of actress Gugu Mbatha-Raw’s Q&A after the screening of her film “Fast Color” (directed by Julia Hart) at the Chicago Critics Film Festival. Her praise for Gugu drew me to her as a critic. I retweeted her post, and the rest is history. Months later, I’m so happy to get the opportunity to interview her and share her story.