4 min read
by cinemafemme
January 24, 2022
Happening The two best films I’ve seen thus far in 2022 won acclaim on the festival circuit last year prior their premieres at Sundance, and both happen to be astonishingly
5 min read
by cinemafemme
January 22, 2022
Watcher During yesterday’s excellent female filmmaker panel moderated by The Atlantic’s Shirley Li, I noticed a foreign poster for Stanley Donen’s “Charade”—the greatest Hitchcock thriller that Hitch never made—hanging on the
