“Moonlight” (2016) is a poetic and universal tale. It is a coming-of-age story for everyone who has every questioned “Who am I?” The central character in Tarell Alvin McCraney’s story is a Black American young man in Miami, yet he is also all of us, in all locations of this world growing up and coming to terms with our unique identities and surroundings.
It is a pessimistic view of life in America, and for Yance Ford and millions of people who look like him, it is a daily reality: living with the fear of being treated as a second-class citizen in school, housing, employment, and the law.
The message of “Black Panther” is that the potential and influence of women must not be ignored or discounted. From the strategic actions of Nakia as an undercover spy and refugee saviour on a personal mission who will not abandon her calling, to the knowledge centre of Shuri, who has the final words of the film when she says to the injured Westerner Sergeant Barnes, “Come, there is much more for you to learn,” all the women excel as examples of depth and variety of the Black woman.
“The Virgin Suicides” film is a feast of watchers: it confirms that we are all watched and we all watch. Like George Orwell’s “Nineteen Eighty-Four,” this film reminds the viewer that we are all under constant surveillance.