Transitioning Together: Amy Jenkins and Adam Sieswerda on “Adam’s Apple”

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my aunt—are priceless. Thanks to the new millennium’s technological advancements, people born within the past quarter century can have the entirety of their evolution from child […]

Pushing the Boundaries: Emily Robinson on “Ugly Cry” and “Consumed”

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be forced to cover her with white to clear the slate before the next shade splayed atop her. She would haunt the walls and infuse the […]

Berlinale 2026: “Mouse” Destined to be Hailed Among the Year’s Best Films

There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and starring O’Sullivan as a thirty-something nanny with an unwanted pregnancy, who forges a bond with the six-year-old she looks after. O’Sullivan brought her next script, […]

Sundancing on My Own: My Four Extraordinary Days in Park City

Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over four decades had always left me in awe. So many of my favorite films had premiered at Redford’s festival nestled in the snow-capped mountains of […]

A Call for Peace and Human Connection: Hikari on “Rental Family”

As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival screening of Hikari’s “Rental Family,” I overheard the woman next to me mention her plans to see my all-time favorite film, “It’s a Wonderful Life,” […]

Look for the Signs: Christy Salters Martin and Lisa Holewyne on “Christy”

I went into David Michôd’s biopic “Christy” knowing nothing about its titular boxer. I knew I would be interviewing the film’s real-life subject, Christy Salters Martin, the following morning, and was delighted to see her in attendance at the press screening. She was accompanied by her wife, Lisa Holewyne, who had formerly been her adversary […]

On Borrowed Time: The Beauty of “John Candy: I Like Me”

“I remember John Candy’s presence much more clearly than that of John Hughes,” Gaby Hoffmann told me during our interview in 2012, after I asked her about her memories of filming 1989’s “Uncle Buck” at the mere age of 7. “That movie was playing video games with Mac[auley Culkin] and rejoicing in the extraordinary loveliness […]

Attracted to Abstraction: Lucile Hadžihalilović on “The Ice Tower”

“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about his 2009 masterpiece, “Enter the Void.” There is perhaps no filmmaker who has crafted more visceral portrayals of primal human experiences, particularly sex, violence and […]