Two Ends of Reality: Martha P. Nochimson on “Quantum Screens: Nonlinear Universes in Film and Television”

As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in devouring author and professor Martha P. Nochimson’s latest marvelous book, Quantum Screens: Nonlinear Universes in Film and Television. On the basis of its delicious theories […]
Transitioning Together: Amy Jenkins and Adam Sieswerda on “Adam’s Apple”

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my aunt—are priceless. Thanks to the new millennium’s technological advancements, people born within the past quarter century can have the entirety of their evolution from child […]
Pushing the Boundaries: Emily Robinson on “Ugly Cry” and “Consumed”

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be forced to cover her with white to clear the slate before the next shade splayed atop her. She would haunt the walls and infuse the […]
Slamdance 2026: Jessica Barr and Ryan Simpkins on Their Stunning Single-Take Film, “The Plan”

The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of the setting gradually proves to be deceptive, as the mounting tension within these friends—particularly Evan (Ryan Simpkins)—threatens to erupt. With the helicopter blades of an […]
Berlinale 2026: “Mouse” Destined to be Hailed Among the Year’s Best Films

There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and starring O’Sullivan as a thirty-something nanny with an unwanted pregnancy, who forges a bond with the six-year-old she looks after. O’Sullivan brought her next script, […]
Sundancing on My Own: My Four Extraordinary Days in Park City

Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over four decades had always left me in awe. So many of my favorite films had premiered at Redford’s festival nestled in the snow-capped mountains of […]
Being Fully Present: Alicia Witt on David Lynch, “Longlegs,” Her New Concert Tour and More

A longtime holiday wish of mine will be granted this month when I finally get to see one of my favorite actors perform in person. As part of her “Spending Christmas” tour, Alicia Witt will be putting on a holiday concert at Evanston SPACE, featuring tunes from her wonderful album, “I Think I’m Spending Christmas […]
A Call for Peace and Human Connection: Hikari on “Rental Family”

As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival screening of Hikari’s “Rental Family,” I overheard the woman next to me mention her plans to see my all-time favorite film, “It’s a Wonderful Life,” […]
Look for the Signs: Christy Salters Martin and Lisa Holewyne on “Christy”

I went into David Michôd’s biopic “Christy” knowing nothing about its titular boxer. I knew I would be interviewing the film’s real-life subject, Christy Salters Martin, the following morning, and was delighted to see her in attendance at the press screening. She was accompanied by her wife, Lisa Holewyne, who had formerly been her adversary […]
Kick Out the Conventions: Agnieszka Holland on “Franz,” “The Secret Garden” and More

With the 61st Chicago International Film Festival nearly in the rearview mirror, there are so many memories from the past several days that I know I will be cherishing for years to come. Yet the one that stands above them all is the half-hour I got to spend last weekend speaking with one of the […]
On Borrowed Time: The Beauty of “John Candy: I Like Me”

“I remember John Candy’s presence much more clearly than that of John Hughes,” Gaby Hoffmann told me during our interview in 2012, after I asked her about her memories of filming 1989’s “Uncle Buck” at the mere age of 7. “That movie was playing video games with Mac[auley Culkin] and rejoicing in the extraordinary loveliness […]
Attracted to Abstraction: Lucile Hadžihalilović on “The Ice Tower”

“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about his 2009 masterpiece, “Enter the Void.” There is perhaps no filmmaker who has crafted more visceral portrayals of primal human experiences, particularly sex, violence and […]
