I first met cinematographer Valentina Caniglia at the 2019 Girl Power Film + Media Summit in Brooklyn, NY, where she was on a panel about the female gaze. Valentina’s story is truly inspirational, from skating competitively in Italy, to NYU film school, to traveling all over the world shooting films, TV series, and commercials. I
Chaz Ebert introduced me to the 2019 Sundance Ebert Fellows Niani Scott, Whitney A. Spencer, and Tiffany Walden via Instagram as they were on their way to Park City, Utah, to cover Sundance Film Festival. I read up on these intelligent and extremely talented women, and I was so inspired by their drive and past experience.
By Marjorie H. Morgan “The Virgin Suicides” film is a feast of watchers: it confirms that we are all watched and we all watch. Like George Orwell’s “Nineteen Eighty-Four,” this film reminds the viewer that we are all under constant surveillance. Sofia Coppola directs her own screenplay adaptation of the novel by Jeffrey Eugenides from
Cinema Femme is meant to go beyond our digital pages. We are a movement. The Cinema Femme movement will support more female and diverse representation in film criticism, resulting in more female directed and diverse films being recognized for their value. These reviews will attract more movie goers and interested backers to financially support these