“The Virgin Suicides” film is a feast of watchers: it confirms that we are all watched and we all watch. Like George Orwell’s “Nineteen Eighty-Four,” this film reminds the viewer
I don’t know about you, but I get chills by the intimacy of the details. Her films vary in story, but no matter what the story is about—a seventeenth-century queen,
I had the pleasure of interviewing Laura Moss, NYC-based filmmaker. I met Laura last year at the Chicago Critics Film Festival, where I saw her short film “Fry Day.” I
The question of who might be trustworthy is a constant point of contention in Bart Layton’s vision in the 2018 film “American Animals.” Can we trust the characters? Can we