For decades, the “stoner comedy” has been a heavily male-dominated subgenre, often leaning on the same predictable tropes. With “The Wrong Girls” (premiering August 14 from NEON), writer-director Dylan Meyer
This month’s lineup leans heavily into documentaries, with “The Invite” as the lone outlier. Watching these films, I kept circling back to my own life—each one opening up a different
As I got deeper into the festival and more sleep deprived, my second dispatch from Sundance saw some common themes begin to emerge in the films I was seeing. In