9 min read
by Rebecca Martin
February 17, 2026
Every Sundance leaves an impression on me — no, more than that. It feels like a permanent mark etched into my soul. Of course, there’s the snow, the crowded Main
7 min read
by Rebecca Martin
February 5, 2026
Gara, the guiding force at the center of “To Hold a Mountain,” is living proof that not all heroes wear capes. Her days begin before sunrise — herding sheep across
9 min read
by Rebecca Martin
February 2, 2026
When “Take Me Home” premiered at the Sundance Film Festival, it arrived not only as an intimate debut feature but as the expansion of a story Liz Sargent has been
8 min read
by Dawn Borchardt
February 2, 2026
Lindsay Aksarniq McIntyre is an Indigenous experimental filmmaker based in Canada with a filmography spanning over 40 short films almost exclusively shot on 16mm film. Her work is deeply personal,
4 min read
by Rebecca Martin
January 31, 2026
Barbara Hammer once said, “If we’re experimenting with our lives and the way we’re going to live, our film and our art should also be experimental. It breaks tradition, and
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
23 min read
by Matt Fagerholm
February 21, 2025
I have always had a fondness for coming of age films that vividly recall how intense our emotions are during pivotal moments of growth and transition. In many ways, we
7 min read
by Peyton Robinson
January 28, 2025
It’s Saturday, January 25th and today is my last day at my first in-person Sundance Film Festival. Writing from a sardined high top table at Atticus, where yesterday I met
12 min read
by Rebecca Martin
January 28, 2025
Sometimes you just need a best friend to collaborate with to bring something beautiful and meaningful into the world. It’s tiring and painful for me to see women who feel
4 min read
by cinemafemme
January 24, 2022
Happening The two best films I’ve seen thus far in 2022 won acclaim on the festival circuit last year prior their premieres at Sundance, and both happen to be astonishingly
5 min read
by cinemafemme
January 22, 2022
Watcher During yesterday’s excellent female filmmaker panel moderated by The Atlantic’s Shirley Li, I noticed a foreign poster for Stanley Donen’s “Charade”—the greatest Hitchcock thriller that Hitch never made—hanging on the
10 min read
by Rebecca Martin
December 7, 2020
NOW STREAMING Sundance Interview from February 4, 2020. What I love the most about dreams is that they can take you into worlds that you’ve never visited, introduce you to
