“Maiden” (2019) is the harrowing true tale of how Skipper Tracy Edwards pushed against the acceptable gender tides of racing in 1989–1990 and then changed the boat racing world and women’s education to today.
Laure de Clermont-Tonnerre has written and directed a uniquely evocative and stunning film that reassesses humanity and our need for connection seen through the lens of a hopeless and withdrawn prison inmate who participates in a horse rehabilitation training program.
Recently I attended a member event of the Geena Davis Institute on Gender in Media, as part of their “See Jane Salon” series, which enables GDIGM CEO Madeline Di Nonno … Continue reading See Jane Salon: Kris Rey on representation of pregnancy on film and her own journey as a mother
There is power in media. A good review, a great interview, getting the right onscreen exposure makes a difference in the trajectory of a film. Hilda Somarriba understands that as … Continue reading Hilda Somarriba elevates independent cinema in the film festival market and media with ‘The Rider’ and ‘Paradise Hills’
Miranda Bailey is not just one thing—she is Miranda Bailey, the producer, director, actor, founder of CherryPicks, mother, and inspiration to women in the industry.
If you’re not having a good time, find something else that gives you some joy in life. —Penny Marshall (October 15, 1943–December 17, 2018) When there is a passion inside … Continue reading Cinema Femme Women’s History Month/Sexual Assault Awareness Month Issue — Editor’s Letter
Never in recent memory has there been such a volatile time in politics than today and one man has added his own fuel to the fire—Steve Bannon. Director Alison Klayman has opened the doors into this man’s life with her new film “The Brink” (2019), giving viewers a glimpse into the behind-the-scenes action and the inner workings of politics like never seen before.
“This past season, GLAAD did their report, and there’s been an increase of trans actors in series, but a lot of that is because of “Pose” (2018). So it would be nice to see more trans actors taking on roles. But I’d like to see, not so much because of the story, but casting directors being like, “Hey, you don’t necessarily need to write this character as cis; it can be a trans person.” “The Sisters Brothers” (2018) and “Colette” (2018) both had trans actors playing cisgender characters.”
“Hail Satan?” (2019) is not only an eye-catching title, the content is eye-opening! The upbeat, energetic, and talented documentary filmmaker Penny Lane gave Sundance audiences food for thought in this hilarious new film that reveals the truth about The Satanic Temple and our own country’s issues with separation of Church and State.
I had the pleasure of interviewing Laura Moss, NYC-based filmmaker. I met Laura last year at the Chicago Critics Film Festival, where I saw her short film “Fry Day.” I … Continue reading A conversation between Cinema Femme founder Rebecca Martin and filmmaker Laura Moss