“The Virgin Suicides” film is a feast of watchers: it confirms that we are all watched and we all watch. Like George Orwell’s “Nineteen Eighty-Four,” this film reminds the viewer that we are all under constant surveillance.
I don’t know about you, but I get chills by the intimacy of the details. Her films vary in story, but no matter what the story is about—a seventeenth-century queen, spoiled teenagers in Hollywood, a middle-aged celebrity traveling in Tokyo—I know that I’m going to be enchanted by the artistry of the cinematic details that bring me deeper.
One of the raffle prizes at our launch party with be Cinema Femme founder Rebecca Martin’s personal collection of Criterion Collection films. Here, Rebecca writes about what each film means to her. Raffle prize #5: Founder of Cinema Femme Rebecca Martin’s personal collection of @criterioncollection […]
Our launch party at this Music Box Theatre is this Thursday! We will have raffle prizes from… #1: Revolution Brewing Company Cheers to the weekend! One of our awesome raffle prizes at our launch party will be from @revbrewchicago. 🍺👊🎉 #2: Music Box Theatre We’ll […]
Welcome to the inaugural issue of Cinema Femme magazine, the voice of the female film experience! Cinema Femme is a digital magazine that voices the female film experience through personal essays and interviews, accompanied by illustration and design. But we’re more than a magazine — we are a movement. Our movement’s […]
I’ve followed Sofia Coppola’s career closely, ever since 2003. In 2003, I saw the film that became my gateway in to the cinephile world: Lost in Translation. Friends in college (where I was in 2003) felt that I possibly had an unhealthy obsession with the film […]