Reason for the Cinema Femme Movement

by Rebecca Martin

November 9, 2018

3 min read

Share this post

Statistics about Female Film Critics

  • A September 2018 report from Dr. Stacy L. Smith and the USC Annenberg Inclusion Initiative (and conducted with Time’s Up Entertainment) used reviews of 300 top-grossing films from 2015–2017 posted on Rotten Tomatoes to assess gender and race/ethnicity of critics, including how this varies by film distributor and publication outlet.
  • Only 21.3 percent of the 59,751 reviews evaluated were written by female critics, a gender ratio of 3.7 male reviewers to every 1 female reviewer. Critics from underrepresented racial/ethnic backgrounds composed 16.8 percent of these reviews and white male critics wrote 65.6 percent of the reviews.
  • Among top critics, white males wrote between 65–70 percent of film reviews at notable daily papers, daily and weekly newspapers, entertainment trades, general news outlets, and entertainment publications. The range across these outlets for white females was 6.1–33 percent, with general news scoring highest.
  • Underrepresented female critics wrote as few as 1.6 percent of all reviews at general news publications and at most 3.3 percent of reviews at the entertainment trades.
  • Of the 300 films studied, 48.3 percent did not feature one underrepresented female top critic as a reviewer. Similarly, 45.4 percent of the 108 female-driven movies and 35.1 percent of the 57 films with an underrepresented actor at the center were not reviewed by even one underrepresented female top critic.

 Source: https://variety.com/2018/film/spotlight/movie-reviewers-women-minorities-statistics-1202931532/


Statistics about Women in Hollywood

  • Women account for 50 percent of moviegoers. (MPAA 2017)
  • Of the top 100 grossing films of 2017, women represented:
    • 8 percent of directors
    • 10 percent of writers
    • 2 percent of cinematographers
    • 24 percent of producers
    • 14 percent of editors

(Center for the Study of Women in Television and Film)

  • Kathryn Bigelow is the only woman to ever win the Academy Award for Best Director. Only five women have ever been nominated (Lina Wertmüller, Jane Campion, Sofia Coppola, Bigelow, and Greta Gerwig).
  • In 2018, “Mudbound”’s Rachel Morrison became the first woman ever nominated for the Academy Award for Cinematography.
  • In the top 100 films of 2017:
    • Women comprised 24 percent of protagonists.
    • Sixty-three percent of female characters had an identifiable job or occupation (compared to 78 percent of male characters).
    • Fifty-five percent of female characters were seen in their work setting, actually working (versus 69 percent of males).

(Center for the Study of Women in Television and Film)

  • Sixty-eight percent of female characters were white in the top 100 films of 2017. Sixteen percent were Black, 7 percent were Asian, 7 percent were Latina, and 2 percent were of another race or ethnicity. (Center for the Study of Women in Television and Film)

Source: https://womenandhollywood.com/resources/statistics/

Share this post

Rebecca Martin

Rebecca Martin is the Managing Editor of Cinema Femme magazine and the Festival Director of Cinema Femme Short Film Fest. She founded her publication in 2018 because she wanted to create a platform for female voices in the film community. She has hosted film screenings in Chicago, led virtual panel discussions, Q&As, is the Cinema Femme Short Films Director, and has covered festivals like the Chicago International Film Festival, Sundance, Tribeca, and the Bentonville Film Festival.

Recommended For You

Explore our latest articles and updates.

2026 Films, Film Festivals, Interviews

5 min read

Reclaiming Attention: Sara Robin on “Your Attention Please” and the Fight for Digital Autonomy

by Rebecca Martin

April 23, 2026

In “Your Attention Please,” director Sara Robin takes on one of the most urgent yet elusive crises of our time: the erosion of human attention in a digital world engineered

2026 Films, Profile, reviews

8 min read

Femme Film Series: April 2026

by Rebecca Martin

April 16, 2026

Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the April 2026 Femme Film Series—”The Chronology of Water,” “My NDA,”

2026 Films, Books, Directing, Drama, Film Festivals, Indie Films, Interviews, LGBTQ+, Now Playing, Queer Stories, Womxn supporting Womxn

25 min read

Loosening the Knots: Madison Young on “By the Roots”

by Matt Fagerholm

April 13, 2026

After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally

Stay Updated on Our Film Festival

Subscribe to our newsletter for the latest festival updates, film submissions, and special announcements.

By clicking Join Us, you agree to our Terms and Conditions.

Discover more from Cinema Femme

Subscribe now to keep reading and get access to the full archive.

Continue reading