2026 Films

2026 Films, Indie Films, Interviews

10 min read

Katie Aselton on “Magic Hour,” Creative Vulnerability, Codependency, and Soulmate Casting

by Rebecca Martin

May 8, 2026

In “Magic Hour,” filmmaker and actor Katie Aselton returns to the intimate, emotionally raw storytelling that first defined her career. Premiering last year at the South by Southwest film festival,

2026 Films, Documentaries, Profile, reviews

12 min read

Femme Film Series: May Spotlight on Doc 10 and Chicago Critics Film Festival

by Rebecca Martin

May 5, 2026

This month’s lineup leans heavily into documentaries, with “The Invite” as the lone outlier. Watching these films, I kept circling back to my own life—each one opening up a different

2026 Films, Film Festivals, Interviews

5 min read

Reclaiming Attention: Sara Robin on “Your Attention Please” and the Fight for Digital Autonomy

by Rebecca Martin

April 23, 2026

In “Your Attention Please,” director Sara Robin explores one of today’s most pressing yet hard-to-define crises: the decline of human attention in a digital world built to capture it. What

2026 Films, Profile, reviews

8 min read

Femme Film Series: April 2026

by Rebecca Martin

April 16, 2026

Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the April 2026 Femme Film Series—”The Chronology of Water,” “My NDA,”

2026 Films, Books, Directing, Drama, Film Festivals, Indie Films, Interviews, LGBTQ+, Now Playing, Queer Stories, Womxn supporting Womxn

25 min read

Loosening the Knots: Madison Young on “By the Roots”

by Matt Fagerholm

April 13, 2026

After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally

2026 Films, Film Festivals, Horror, Interviews

18 min read

Doomscrolling the Abyss: Daniel Goldhaber and Isa Mazzei on Reimagining Horror in “Faces of Death”

by Zachary Lee

April 11, 2026

When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous as it is today. The

2026 Films, Interviews

5 min read

One Voice, Amplified: Stephanie Laing on “Tow,” Truth, and Tenacity

by Rebecca Martin

April 1, 2026

Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling of Physical. Now, with her

2026 Films, Coming of Age, Documentaries, Film Editing, Indie Films, Interviews, LGBTQ+, Queer Stories, SXSW, Transgender

14 min read

Transitioning Together: Amy Jenkins and Adam Sieswerda on “Adam’s Apple”

by Matt Fagerholm

March 9, 2026

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my

2025 Films, 2026 Films, essay, Profile, reviews

9 min read

Femme Film Series: March 2026

by Rebecca Martin

March 8, 2026

For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the

2026 Films, Coming of Age, Directing, Film Editing, Film Festivals, Indie Films, Interviews, Now Playing, Screenwriting, Short Films, SXSW

17 min read

Pushing the Boundaries: Emily Robinson on “Ugly Cry” and “Consumed”

by Matt Fagerholm

March 8, 2026

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be

2026 Films, Cinematographer, Directing, Drama, Film Festivals, Indie Films, Interviews, Now Playing, Slamdance, Uncategorized

17 min read

Slamdance 2026: Jessica Barr and Ryan Simpkins on Their Stunning Single-Take Film, “The Plan”

by Matt Fagerholm

February 19, 2026

The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of

2026 Films, Berlinale, Coming of Age, Directing, Drama, Indie Films, LGBTQ+, Queer Stories, reviews, Screenwriting

4 min read

Berlinale 2026: “Mouse” Destined to be Hailed Among the Year’s Best Films

by Matt Fagerholm

February 13, 2026

There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and

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