Reclaiming Attention: Sara Robin on “Your Attention Please” and the Fight for Digital Autonomy

by Rebecca Martin

April 23, 2026

5 min read

Share this post

In “Your Attention Please,” director Sara Robin explores one of today’s most pressing yet hard-to-define crises: the decline of human attention in a digital world built to capture it. What began as a personal exploration of screen habits evolved into a sweeping, solutions-oriented documentary that examines not just individual behavior, but the systems shaping it. The film made its world premiere earlier this year at South by Southwest, shining a light on the growing cultural urgency of its subject.

Speaking with Cinema Femme, Robin reflects on how the project transformed as she dug deeper into the topic.

“Initially, the project was motivated by my own experiences,” Robin explains. “I was trying to regain my focus… but phones are addictive in many ways beyond social media.” What began as a personal struggle—“I couldn’t read a book anymore without checking my phone every 30 seconds”—soon revealed itself to be something much larger.

Robin originally envisioned a more contained, experiment-driven film. “I thought, let’s follow a few people for 30 days as they try to reduce phone use,” she says. But that approach shifted dramatically after meeting Kristin Bride, a mother who turned personal tragedy into advocacy after losing her son to cyberbullying. “I knew right away I had to follow that thread,” Robin recalls. “It didn’t fit my initial concept—but it opened the door to something bigger.”

Sara Robin

That “something bigger” became a focus on systemic change—examining legislation, platform design, and the broader architecture of the attention economy. Voices like Trisha Prabhu, a young programmer working to combat online harassment, further expanded the film’s scope. “That shift really defined the film’s final structure,” Robin says.

But telling that story came with unique challenges. “The impact of technology is largely invisible,” she explains. “It’s gradual, it’s hard to see—and that makes it difficult to translate into a visual medium.” Even powerful transformations, like dramatically reducing screen time, don’t naturally lend themselves to cinematic storytelling.

To bridge that gap, Robin turned to animation. Collaborating with Cola Animation Collective, the film uses hand-drawn visuals to depict abstract concepts like algorithms and digital immersion. “We needed a way to make the invisible visible,” she says. “Animation allowed us to do that while also handling difficult emotional material with care.”

The result is a visual language that contrasts confinement and openness—algorithmic “spaces” versus expansive natural environments. “It helped us create something experiential,” Robin adds, “while still inviting audiences in gently.”

At its core, “Your Attention Please” grapples with a pressing question: can we reclaim autonomy in a digital landscape designed to undermine it?

Robin points to structural changes as a starting point. “Not long ago, platforms like Instagram had chronological feeds,” she notes. “Now they’re driven by engagement-optimized algorithms designed to maximize screen time.” These systems learn what holds attention—and amplify it, often without regard for well-being.

“If we want to reclaim autonomy,” she argues, “we need to rethink these systems. Users should have more control—whether that’s choosing a chronological feed or resetting algorithms in a meaningful way.” For young users especially, she adds, safeguards are critical: “Harmful content loops shouldn’t happen in the first place—but if they do, there should be an easy way out.”

Despite the gravity of the subject, Robin resists framing the story as purely dystopian. In fact, she’s more optimistic now than when she began.

“I actually feel more hopeful—even about politics,” she says, pointing to growing bipartisan attention around tech regulation and increasing momentum at local levels. Schools are going phone-free, states are introducing policies, and communities are experimenting with new norms.

Perhaps most encouraging, she says, is the response from younger generations. “There was this fear that people who grew up with social media wouldn’t know anything different—but that’s not what we’re seeing.” Initiatives like The Offline Club demonstrate a desire to reconnect offline. “Young people are actively pushing back,” Robin says. “They want something better.”

That desire, she believes, speaks to something fundamental. “The need for connection, presence, authenticity—that’s deeply human. And it hasn’t been lost.”

For audiences, Robin hopes the film serves both as a wake-up call and an invitation. “First, I hope people feel empowered to make changes—big or small,” she says. “Even putting your phone down during a conversation matters. Those small moments shape culture.”

Equally important is the broader takeaway: “This isn’t inevitable. Technology doesn’t have to be addictive. There’s enormous potential to redesign it in ways that support human well-being.”

As the film continues its festival run—including an upcoming screening at the Independent Film Festival Boston on April 25—Robin and her team are already thinking about impact beyond the screen. Plans include educational outreach, partnerships with organizations, and screenings for policymakers in the U.S. and abroad.

“We’re looking at a multi-tiered impact campaign,” she says. “From grassroots efforts in schools to conversations at the policy level.”

Ultimately, “Your Attention Please” is less about prescribing solutions than sparking imagination. “I hope the film helps people envision a different relationship with technology,” Robin reflects. “Because once we can imagine it, we can start to build it.”

For more information about the film and how you can support, please visit www.yourattentionplz.com.

Share this post

Rebecca Martin

Rebecca Martin is the Managing Editor of Cinema Femme magazine and the Festival Director of Cinema Femme Short Film Fest. She founded her publication in 2018 because she wanted to create a platform for female voices in the film community. She has hosted film screenings in Chicago, led virtual panel discussions, Q&As, is the Cinema Femme Short Films Director, and has covered festivals like the Chicago International Film Festival, Sundance, Tribeca, and the Bentonville Film Festival.

Recommended For You

Explore our latest articles and updates.

Interviews, LGBTQ+, Queer Stories

14 min read

“By Hook or By Crook” at 25: Silas Howard and Harry Dodge on Friendship, Queer Cinema, and Radical Tenderness

by Rebecca Martin

June 5, 2026

Some films seem to find you when you’re finally ready for them. In 2023, I spoke with filmmaker and writer Guinevere Turner about her memoir, When the World Didn’t End,

2026 Films, Comedy, Coming of Age, Directing, Drama, Film Discussion, Horror, Indie Films, Now Playing, Television, TV

6 min read

The Women Shine in “Obsession,” “Backrooms,” “Off Campus” and “An Autumn Summer”

by Matt Fagerholm

May 29, 2026

As a variation on our Femme Filmmaker Friday articles, our contributor Matt Fagerholm is offering his thoughts on three new male-directed films (plus one new female-directed series) all bolstered by

Chicago, Interviews, LGBTQ+, Queer Stories

8 min read

Sapphopalooza 2026: “Go Fish” Still Feels Revolutionary – Guinevere Turner on Queer Community, Representation, and a Lesbian Classic

by Emily Jacobson

May 21, 2026

When I first watched “Go Fish,” Rose Troche’s 1994 film, it was in the middle of lockdown during 2020. I was watching at least three movies a day, using my

Stay Updated on Our Film Festival

Subscribe to our newsletter for the latest festival updates, film submissions, and special announcements.

By clicking Join Us, you agree to our Terms and Conditions.

Create a free account, or log in.

Gain access to read this article, plus limited free content.

Yes! I would like to receive new content and updates.

Discover more from Cinema Femme

Subscribe now to keep reading and get access to the full archive.

Continue reading