6 min read
by cinemafemme
August 28, 2026
Festival runs October 11–13, 2026, featuring 20 short films, special guests, filmmaker panels, Breaking Down Walls mentorship program, and the Chicago premiere of Emily Robinson’s “Ugly Cry,” starring Robinson, Aaron
20 min read
by Matt Fagerholm
July 31, 2026
For our fourth wedding anniversary, Cinema Femme founder Rebecca Martin Fagerholm and I spent a week driving to see friends and family all around California. One of our essential stops
16 min read
by Rebecca Martin
June 16, 2026
Years ago, while working at Chicago Filmmakers, I came across a large pile of magazines from the organization’s archive that were destined for the trash. To some, they may have
24 min read
by Matt Fagerholm
June 8, 2026
Upending an audience’s expectations has become one of the most joyous experiences to have in a movie theater, especially when so many releases from mainstream studios are content to remain
6 min read
by Davide Abbatescianni
May 16, 2026
Franco-Costa Rican filmmaker Valentina Maurel returns to Cannes with “Forever Your Maternal Animal,” premiering in Un Certain Regard four years after her Critics’ Week-bound debut “I Have Electric Dreams.” Set
24 min read
by Matt Fagerholm
April 29, 2026
It’s a special kind of thrill when the greatness of an emerging filmmaker’s work hits you like a thunderbolt. That’s precisely what happened to me upon discovering the sublimely nuanced
5 min read
by Rebecca Martin
April 23, 2026
In “Your Attention Please,” director Sara Robin explores one of today’s most pressing yet hard-to-define crises: the decline of human attention in a digital world built to capture it. What
25 min read
by Matt Fagerholm
April 13, 2026
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally
18 min read
by Zachary Lee
April 11, 2026
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous as it is today. The
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
8 min read
by Davide Abbatescianni
February 22, 2026
Premiering in the Big Screen Competition at IFFR (29 January–8 February), “Butterfly” marks Itonje Søimer Guttormsen’s return to feature filmmaking five years after “Gritt.” Set in Gran Canaria, the film
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
