Cinema Femme’s mission is to break down walls for female and non-binary emerging filmmakers and redesign the institutions we find ourselves in. We do this through our online film festival, mentorship program, online magazine and live workshops. “Breaking Down Walls” was inspired by the inspirational […]
Screening at Music Box Theater on 6/8 at 7 PM, get your tickets here. Interview conducted in February 27, 2022. Cinema Femme Q&A with Wendy Robie (“Twin Peaks”), Clare Cooney (“Runner”, “Pick Up”), Emily Lape (“Mercy’s Girl”), Melissa DuPrey (“Grey’s Anatomy”), Elizabeth Stam (“Bleed American”), […]
The idea is to look at women, and young women of color in particular in this case, as leaders that are really representing everyone. Rachel Lears, Director of “To the End” “To the End” goes behind the scenes of a social and political movement where […]
The surprising horror film “Master” directed by Mariama Diallo debuted at Sundance 2022. I’ve never seen the Black female experience so intimately told in this setting. We are brought into the world of a mostly white elite east coast private college that has been around […]
Jamie Dack’s directorial feature debut “Palm Trees and Power Lines” is a revelation in the way she cinematically captures the delicate complexity and vulnerability of being a teenage girl, lost in her identity and looking for it in painful places. Many women will see themselves […]
In 2020, I saw a film that was unlike any I had seen before. It was “La Leyenda Negra”, an official selection in the Sundance 2020 NEXT program, and I was fortunate to interview its director, Patricia Vidal Delgado. This moving film is about a […]
Palm Trees and Power Lines Jamie Dack’s shattering debut feature, based on her short of the same name, is anchored by a performance from newcomer Lily McInerny that is sure to rank among the year’s very best. She plays Lea, a teenager eager to escape […]
Happening The two best films I’ve seen thus far in 2022 won acclaim on the festival circuit last year prior their premieres at Sundance, and both happen to be astonishingly vivid portraits of female identity: Joaquim Trier’s “The Worst Person in the World” and Audrey […]
Sharp Stick In Lena Dunham’s “Girls,” she wasn’t afraid to go there by pushing taboos of sexuality for women onscreen. It was liberating to watch. In “Sharp Stick,” it’s no different. We follow Sarah Jo (Kristine Froseth) who is coming of age in her sexuality […]
Watcher During yesterday’s excellent female filmmaker panel moderated by The Atlantic’s Shirley Li, I noticed a foreign poster for Stanley Donen’s “Charade”—the greatest Hitchcock thriller that Hitch never made—hanging on the wall of filmmaker Chloe Okuno. Sure enough, Donen’s classic plays a significant role in Okuno’s […]
Happy Sundance! We kick off day one of the festival with a preview of our coverage. Also, Managing Editor Rebecca Martin will be attending the opening press event today with Festival Director Tabitha Jackson, Director of Programming Kim Yutani, Senior Programmer and Chief Curator, New […]
Watching “New Flesh for the Old Ceremony”, the Audience Award-winner for narrative shorts at this year’s Reeling Film Festival, I was pleasantly surprised that it opened with a passionate love scene. Usually that is something that is thrown in towards the middle of a romance […]