Transitioning Together: Amy Jenkins and Adam Sieswerda on “Adam’s Apple”

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my aunt—are priceless. Thanks to the new millennium’s technological advancements, people born within the past quarter century can have the entirety of their evolution from child […]

Pushing the Boundaries: Emily Robinson on “Ugly Cry” and “Consumed”

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be forced to cover her with white to clear the slate before the next shade splayed atop her. She would haunt the walls and infuse the […]

The Women Behind “Hekla”: Crafting Chaos, Color, and the Courage to Be Seen

In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color at the exact moments when performance becomes oxygen. Built around one chaotic day in the life of an actor, the film captures a familiar contradiction: […]

Berlinale 2026: “Mouse” Destined to be Hailed Among the Year’s Best Films

There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and starring O’Sullivan as a thirty-something nanny with an unwanted pregnancy, who forges a bond with the six-year-old she looks after. O’Sullivan brought her next script, […]

Sundancing on My Own: My Four Extraordinary Days in Park City

Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over four decades had always left me in awe. So many of my favorite films had premiered at Redford’s festival nestled in the snow-capped mountains of […]

A Call for Peace and Human Connection: Hikari on “Rental Family”

As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival screening of Hikari’s “Rental Family,” I overheard the woman next to me mention her plans to see my all-time favorite film, “It’s a Wonderful Life,” […]

Attracted to Abstraction: Lucile Hadžihalilović on “The Ice Tower”

“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about his 2009 masterpiece, “Enter the Void.” There is perhaps no filmmaker who has crafted more visceral portrayals of primal human experiences, particularly sex, violence and […]

The Popcorn List Is Reinventing Indie Film Distribution

This September, The Popcorn List—the annual survey spotlighting acclaimed films without U.S. distribution—takes its impact beyond the page and onto the screen. With the launch of The Popcorn List: Pop Up Series, audiences across the country will get a first look at eight standout films, including three in-person screenings at art house cinemas nationwide and […]