Rotterdam 2026: Sisters, Spirits and Invented Truths: Itonje Søimer Guttormsen on Her Sophomore Feature “Butterfly”

Premiering in the Big Screen Competition at IFFR (29 January–8 February), “Butterfly” marks Itonje Søimer Guttormsen’s return to feature filmmaking five years after “Gritt.” Set in Gran Canaria, the film follows estranged sisters Lily (Renate Reinsve) and Diana (Helene Bjørneby) as they reunite after their mother’s death and inherit an unfinished resort-cum-esoteric retreat connected to […]

Sundance 2026: Walking Through the In-Between — Malin Barr on “Sauna Sickness” and the Quiet Violence of Emotional Manipulation

My discussion with Swedish-native Malin Barr at Sundance quickly evolved beyond a standard interview. By the time we secured coffee amidst the festival’s intensity, the conversation felt like a continuation of an already established, deeply considered thought. Rather than a conventional, seated Q&A, this piece is a dynamic, walking dialogue. We moved through Park City’s […]

When Cinema Becomes a Witness: Kaouther Ben Hania on “The Voice of Hind Rajab”

Kaouther Ben Hania is a two-time Academy Award–nominated filmmaker whose fearless, formally inventive work has positioned her as one of the most vital voices in contemporary international cinema. Moving fluidly between documentary and narrative, her films consistently challenge conventional storytelling while remaining deeply grounded in human experience. Her latest film, “The Voice of Hind Rajab,” […]

“Women Make the Harsher Films”: Isa Willinger Revisits a Provocation in “No Mercy”

When cult filmmaker Kira Muratova told a young Isa Willinger, “The truth is, women make the harsher films,” the statement lodged itself in Willinger’s mind like a riddle. Could this really be true? So often, women and non-binary filmmakers are framed through the language of empathy, intuition, or sensitivity — rarely through force, severity, or […]

Reclaiming the Self: Carolina Cavalli on the Strange Beauty of “The Kidnapping of Arabella”

Italian filmmaker Carolina Cavalli has quickly emerged as one of the most original voices in contemporary cinema. Born in Milan, Cavalli made her feature debut with “Amanda” (2022), which premiered at the Venice and Toronto International Film Festivals and introduced her signature blend of melancholy, absurdity, and quiet tenderness. She later co-wrote “Fremont” (2023) with […]

Oscar winning filmmaker Euzhan Palcy on her film “Sugar Cane Alley”

Set against the vivid backdrop of 1931 French-colonized Martinique, “Sugar Cane Alley” (“Rue Cases-Nègres”) stands as one of cinema’s most tender and politically charged coming-of-age stories. The film follows eleven-year-old José, a bright and curious boy raised by his devoted grandmother, M’man Tine, who dreams of a life for him beyond the sugar cane fields. […]

Cinema Femme’s Most Anticipated Films at the 2025 New Orleans Film Festival

Rental Family, directed by Hikari Set in modern-day Tokyo, “Rental Family” follows an American actor (Brendan Fraser) who struggles to find purpose until he lands an unusual gig: working for a Japanese ‘rental family’ agency, playing stand-in roles for strangers. As he immerses himself in his clients’ worlds, he begins to form genuine bonds that […]