Interviews

Chicago International Film Festival, Film Festivals, Interviews

8 min read

CIFF 2026: “A Very Rare Period of Time”: Carolina Cavalli on Serving on the Chicago International Film Festival Jury

by Rebecca Martin

November 6, 2026

Italian writer-director Carolina Cavalli has a gift for characters who feel slightly out of step with the world. Based in Milan, she made her feature debut with “Amanda” (2022), which

2026 Films, Documentaries, Interviews

21 min read

Playing with Fire: Annie Sprinkle and Beth Stephens on Wildfire, Ecosex and Pleasure Activism

by Rebecca Martin

November 6, 2026

In August 2020, a night of dry lightning sparked the CZU Lightning Complex fires in the Santa Cruz Mountains. The flames came within a block of the Boulder Creek home

Interviews, Uncategorized

11 min read

Paloma Schneideman on Her Cathartic 2000’s Film “Big Girls Don’t Cry”

by Megan Henderson

November 2, 2026

Being a teenage is awkward, uncomfortable, and cringey. It’s a phase of life that once we leave, we hope to never experience again. Yet once we’re far enough removed from

Chicago International Film Festival, Documentaries, International Films, Interviews

10 min read

CIFF 2026: Alina Marazzi on Why Gerda Taro’s Story Matters Now

by Rebecca Martin

October 26, 2026

When I covered the New Orleans Film Festival in 2023, I discovered that creative non-fiction is a documentary genre of its own: films made in unconventional ways, rather than the

2026 Films, Chicago International Film Festival, Indie Films, Interviews, Screenwriting

12 min read

CIFF 2026: A Conversation with “Mouse” filmmakers Kelly O’Sullivan and Alex Thompson

by Rebecca Martin

October 24, 2026

When I was in middle school, a girl from our friend group named Lisa died in a car accident. She and her sister were turning into a movie theater when

Interviews

14 min read

Kasia Adamik on Her European Ties to “Winter of the Crow”

by Megan Henderson

October 14, 2026

Director Kasia Adamik is no stranger to the screen, as her career began back in 2002. As a Polish filmmaker and storyboard artist, “Winter of the Crow” is an adaptation

Interviews

12 min read

Womanhood Steers the Ship in Lindsey Ryan’s “Capsized”

by Megan Henderson

October 13, 2026

Coming into your own as a person is hard, and it’s made even harder when you have a crazy family. The people closest to us affect our lives in so

Directing, Interviews

14 min read

Lauren Montgomery on Preserving Legacy While Moving Forward in “Avatar Aang: The Last Airbender”

by Megan Henderson

October 5, 2026

“Avatar: The Last Airbender” is a franchise beloved globally. I first learned about it when I was in high school from one of my best friends, who grew up watching

Interviews

11 min read

How Samantha Russell and Last Looks Beauty Are Changing the Industry

by Megan Henderson

October 4, 2026

Over the past few years, many progressive conversations have been happening in the entertainment industry. We’ve been discussing more opportunities for non-white, non-cis, non-male creatives, behind and in front of

2026 Films, Interviews

13 min read

Rachel Morrison on “Love of Your Life”: Handheld Intimacy, Global Journeys, and the Long Road Out of Loss

by Rebecca Martin

October 2, 2026

Speaking with Rachel Morrison let me check another bucket-list filmmaker off my list. As a cinematographer, she shot some of my favorite films, including “Mudbound” (Dee Rees) and “Fruitvale Station”

Interviews

9 min read

The Cult of Female Friendship: Taylor Dupuis on “Where the Hell is Anna?”

by Megan Henderson

September 26, 2026

All women are familiar with the complexities that come along with female friendships. On one hand, they can be magical, sparkly, and more valuable than any romantic relationship. But sometimes,

Interviews

9 min read

Fear the Living: Dave Boyle and Moeka Hoshi on “Never After Dark”

by Megan Henderson

September 25, 2026

As a society, we’re familiar with ghost stories. When we turn to supernatural films, the ones filled with poltergeists and phantoms, we typically know what we are getting into. There’s