Anya Camilleri’s powerful short film ‘A Girl of No Importance’ brings awareness to human trafficking and sex slavery

In March, I had the opportunity to interview British filmmaker Anya Camilleri. Camilleri’s award-winning short film “A Girl of No Importance,” made in partnership with agency Stella’s Voice, brings awareness to human trafficking and sex slavery. “A Girl of No Importance” is about a teenage prostitute who escapes from her traffickers but finds herself lost in Rome. Camilleri has also written the feature film “Highway of Love,” also based on true stories.

Pamela B. Green’s documentary honors filmmaking pioneer Alice Guy-Blaché

Meeting Pamela, I could feel the force of nature of Alice Guy-Blaché through her passionate words and her film. It’s like Alice called out to Pamela to introduce her to our modern-day world, and she answered the call. The film gave me and the rest of the viewers of the screening such a gift to meet Alice and fall in love with her during the process.

Why saying “Get off the internet” is terrible advice for victims of online harassment

I spoke with actor, writer, and intimacy coordinator Michela Carattini about her film “Remote Access,” which she cowrote and coproduced with screenwriter Leanne Mangan. Penelope Berkemeier directed the film. Michela, the daughter of a Panamanian-American military intelligence officer and an Australian ballerina, grew up in Germany, where she developed an interest in languages, obscure autobiographies, and criminal behavior. Michela’s award-winning storytelling is driven by her search for world’s compassion and intelligence.

Director Alison Klayman discusses her new documentary ‘The Brink’

Never in recent memory has there been such a volatile time in politics than today and one man has added his own fuel to the fire—Steve Bannon. Director Alison Klayman has opened the doors into this man’s life with her new film “The Brink” (2019), giving viewers a glimpse into the behind-the-scenes action and the inner workings of politics like never seen before.