A Call for Peace and Human Connection: Hikari on “Rental Family”
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival screening of Hikari’s “Rental Family,” I overheard the woman next to me mention her plans to see my all-time favorite film, “It’s a Wonderful Life,” […]
Attracted to Abstraction: Lucile Hadžihalilović on “The Ice Tower”
“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about his 2009 masterpiece, “Enter the Void.” There is perhaps no filmmaker who has crafted more visceral portrayals of primal human experiences, particularly sex, violence and […]
It Was All a Miracle: Embeth Davidtz on “Don’t Let’s Go to the Dogs Tonight”
I was ten years old when Danny DeVito’s euphoric screen adaptation of Roald Dahl’s 1988 novel Matilda arrived in theaters. I had read the book so many times that the cover had fallen off, and in the character of Miss Honey, I found an embodiment of all the teachers who had been an invaluable, nurturing […]
A Profound Experience of Rewriting: Eva Victor on “Sorry, Baby”
As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of “Moonlight” has also been helping launch some of the most exciting careers in modern cinema over the past few years. I’m thinking specifically of Charlotte […]
This Was the Fight: Emily Sheskin on “JessZilla”
One of my favorite films I saw in 2024 is finally kicking off its limited theatrical run before arriving on VOD. Last year, I had the privilege of serving on the documentary nomination committee for Slamdance’s inaugural awards ceremony, The Indies. As a result, I screened numerous magnificent pictures, yet none delivered a knockout punch […]
This is Our Family: Tara Mallen, Keith Kupferer and Katherine Mallen Kupferer on “Ghostlight”
When it comes to monumentally euphoric moviegoing experiences in 2024, Kelly O’Sullivan and Alex Thompson have set a mightily high bar with their latest crowd-pleaser, “Ghostlight.” Five years after helming one of my all-time favorite films, 2019’s “Saint Frances,” writer/co-director O’Sullivan and co-director/producer Thompson have done it again with this phenomenally powerful ode to the […]
Look back: “Travis” – Melissa Stephens
A man tries to make amends to a woman he believes he sexually assaulted in college. Our 2020 interview with Melissa Stephens, who directed and stars in “Travis”
Look back: Lynn Chen flips the gender perspective in her directorial debut “I Will Make You Mine”
For AAPI Heritage month we bring back our interview with Lynn Chen about her film “I Will Make You Mine” from May 2020. Watch feature here. Imagine that you are listening to a record. It’s a good tune, one that you really savored during a particular time in your life. Then you return to the […]
“Shiva Baby” Q&A with director Emma Seligman
Last week we had an exclusive screening of “Shiva Baby” followed by a 30-minute Q&A with director Emma Seligman. The Q&A will be moderated by Cinema Femme contributor Dawn Borchardt, podcast host of Faux Reel. Emma Seligman is a Canadian filmmaker based in New York. She graduated from NYU’s Undergraduate Film & TV program in […]
“Bess” – Veronica Miles
*Winner * Phenomenal Woman Award – Cinema Femme Short Film Festival 2020 https://cinemafemme.com/2020/09/13/ve… After finding a photo of her recently passed Grandmother standing on a street corner in New Orleans, a young woman decides to travel to the city to find that same corner. As she journeys through her grieving process, she discovers the healing […]
Short Film “Cool for Five Seconds” now on Omeleto!
Inaugural 2020 Cinema Femme Short Film Fest selected “Cool for Five Seconds”- Short Film is officially released online! Link below! “Directed by Dani Wieder from a script by Calamity West, this two-hander is equal parts bitingly funny, emotionally raw and deeply empathetic, with an ear and eye for the complexities of relationships between sisters, and […]
Julia Hart reinvents 1970s thriller genre with a female lead in “I’m Your Woman”
I burned it all up, I burned it up until nothing was left, but the fire. And then in Eddie came with the baby. Jean, “I’m Your Woman” Attending Sundance 2016 was a trip on my bucket list that I never thought I’d take, and suddenly it seemed like it was my destiny. I was […]