5 min read
by Rebecca Martin
September 25, 2026
This is a preview piece ahead of the Music Box Theatre screening of “Playing with Fire: An Ecosexual Emergency” on Tuesday, September 29; the full feature interview will follow closer
2 min read
by cinemafemme
September 10, 2026
Dear Readers, Chicago’s film community is full of people who are not only making movies, but actively reshaping the culture, infrastructure, and possibilities of how those movies get made, seen,
1 min read
by cinemafemme
September 3, 2026
Indie distributor Persimmon has acquired North American rights to “Bird in Hand,” the latest release from The Future of Film Is Female, written and directed by Melody C. Roscher (Producer
6 min read
by cinemafemme
August 28, 2026
Festival runs October 11–13, 2026, featuring 20 short films, special guests, filmmaker panels, Breaking Down Walls mentorship program, and the Chicago premiere of Emily Robinson’s “Ugly Cry,” starring Robinson, Aaron
5 min read
by Rebecca Martin
May 18, 2026
“That’s the thing about girls. Every time they do something pretty, even if they’re not much to look at, or even if they’re sort of stupid, you fall half in
12 min read
by Rebecca Martin
May 5, 2026
This month’s lineup leans heavily into documentaries, with “The Invite” as the lone outlier. Watching these films, I kept circling back to my own life—each one opening up a different
8 min read
by Rebecca Martin
April 16, 2026
Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the April 2026 Femme Film Series—”The Chronology of Water,” “My NDA,”
9 min read
by Rebecca Martin
March 8, 2026
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the
9 min read
by Rebecca Martin
February 17, 2026
Every Sundance leaves an impression on me — no, more than that. It feels like a permanent mark etched into my soul. Of course, there’s the snow, the crowded Main
4 min read
by Rebecca Martin
January 31, 2026
Barbara Hammer once said, “If we’re experimenting with our lives and the way we’re going to live, our film and our art should also be experimental. It breaks tradition, and
6 min read
by Rebecca Martin
January 29, 2026
There’s a particular kind of honesty that surfaces at Sundance—usually not on the red carpet, but in the quiet spaces where filmmakers gather to tell the truth about how hard
9 min read
by Rebecca Martin
December 23, 2025
I often think about a particular scene from the second series of “Fleabag” as the year draws to a close. Kristin Scott Thomas’s character, Belinda, is at a bar with
