reviews

Chicago, Profile, reviews

5 min read

“Do Something Pretty” is a universally relatable portrait of early ’90s teen angst

by Rebecca Martin

May 18, 2026

“That’s the thing about girls. Every time they do something pretty, even if they’re not much to look at, or even if they’re sort of stupid, you fall half in

2026 Films, Documentaries, Profile, reviews

12 min read

Femme Film Series: May Spotlight on Doc 10 and Chicago Critics Film Festival

by Rebecca Martin

May 5, 2026

This month’s lineup leans heavily into documentaries, with “The Invite” as the lone outlier. Watching these films, I kept circling back to my own life—each one opening up a different

2026 Films, Profile, reviews

8 min read

Femme Film Series: April 2026

by Rebecca Martin

April 16, 2026

Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the April 2026 Femme Film Series—”The Chronology of Water,” “My NDA,”

2025 Films, 2026 Films, essay, Profile, reviews

9 min read

Femme Film Series: March 2026

by Rebecca Martin

March 8, 2026

For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the

2026 Films, Berlinale, Coming of Age, Directing, Drama, Indie Films, LGBTQ+, Queer Stories, reviews, Screenwriting

4 min read

Berlinale 2026: “Mouse” Destined to be Hailed Among the Year’s Best Films

by Matt Fagerholm

February 13, 2026

There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and

reviews, Sundance

8 min read

Sundance 2026: “The Moment,” “The Gallerist,” and “Run Amok”

by Peyton Robinson

February 9, 2026

Whether a creator or observer, one’s relationship with art dictates a host of qualities: values, ambitions, fantasies, etc. That umbrella term – art – can be composed of so many

reviews, Sundance

6 min read

Sundance 2026: “The Musical,” “Extra Geography.” and “Carousel”

by Emily Jacobson

February 5, 2026

For my final dispatch of Sundance 2026, I talk about three films I screened virtually from home (though I originally saw “The Musical” in Park City, but I enjoyed it

reviews, Sundance

8 min read

Sundance 2026: “Josephine,” “LADY,” and “Big Girls Don’t Cry”

by Peyton Robinson

February 3, 2026

For many women, sexual discovery is a kind of reckoning. It comes in waves. Answering the question of “what was your first sexual experience?” can be immensely complex when bearing

reviews, Sundance

7 min read

Sundance 2026: “Leviticus,” “I Want Your Sex,” and “The Invite”

by Emily Jacobson

February 3, 2026

As I got deeper into the festival and more sleep deprived, my second dispatch from Sundance saw some common themes begin to emerge in the films I was seeing. In

Profile, Queer Stories, reviews, Sundance

4 min read

Sundance 2026: Finding Barbara Hammer—A Late Awakening to Queer Experimentation

by Rebecca Martin

January 31, 2026

Barbara Hammer once said, “If we’re experimenting with our lives and the way we’re going to live, our film and our art should also be experimental. It breaks tradition, and

reviews, Sundance

9 min read

Sundance 2026: “The Lake,” “Silenced,” and “Saccharine”

by Emily Jacobson

January 30, 2026

When I landed in what would be the last Sundance in Park City, Utah, a notable feeling of gratitude washed over me. My first day was a frenzy of badge

Coming of Age, Directing, Documentaries, Drama, Film Festivals, Horror, Indie Films, LGBTQ+, Queer Stories, reviews, Screenwriting, Sundance

16 min read

Sundancing on My Own: My Four Extraordinary Days in Park City

by Matt Fagerholm

January 28, 2026

Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over

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