reviews

Film Festivals, reviews, Sundance

7 min read

Sundance 2025: “Dead Lover,” “Two Women,” and “The Virgin of the Quarry Lake”

by Peyton Robinson

February 18, 2025

The endeavors of love and lust can feel like matters of life and death, but the films which compose this dispatch also find the humor in these escapades. I was

Film Festivals, reviews, Sundance

8 min read

Sundance 2025: “Touch Me,” “Sauna,” “East of Wall,” “Sugar Babies,” and “The Librarians” 

by Emily Jacobson

January 31, 2025

When I was thirteen, I remember scrolling through the movie channels of my parents’ television and finding a film called “Like Crazy,” which was labeled as a “breakout Sundance hit.”

Film Festivals, reviews, Sundance

7 min read

Sundance 2025: “April,” “The Ugly Stepsister,” and “Are You Scared to Be Yourself Because You Think That You Might Fail?”

by Peyton Robinson

January 28, 2025

It’s Saturday, January 25th and today is my last day at my first in-person Sundance Film Festival. Writing from a sardined high top table at Atticus, where yesterday I met

2024 Films, reviews

10 min read

Cinema Femme’s Top 10 Films of 2024

by cinemafemme

December 13, 2024

This year started as it usually does for Cinema Femme with the Sundance Film Festival. Although we didn’t get the kind of coverage we’d like, as we were covering mostly

2024 Films, Film Festivals, Interviews, LGBTQ+, reviews, Tribeca

8 min read

Sav Rodgers elevates the film that saved his life in “Chasing Chasing Amy”

by Rebecca Martin

November 4, 2024

“This movie that saved my life also holds a complicated and controversial history in the queer film canon. I’m not seeking to change anyone’s mind with this film, but to

2024 Films, Chicago International Film Festival, Film Festivals, International Films, reviews

9 min read

CIFF 2024: “Nightbitch,” “Grafted,” “We Were Dangerous,” “Toxic,” and “The Missile”

by Emily Jacobson

October 31, 2024

This past year has seen a wave of female directed movies – whether it be horror, drama, or comedy – fixed upon the female body. Unsurprisingly, with the political climate

Chicago International Film Festival, Film Festivals, International Films, reviews

8 min read

CIFF 2024: “Mistress Dispeller,” “Hard Truths,” “Rita,” and “My Stolen Planet”

by Peyton Robinson

October 31, 2024

I have always found that the Chicago International Film Festival is a formidable venue for riveting, empathetic tales about women and girls. Last year, “Paradise is Burning” was my favorite

2024 Films, Documentaries, reviews, Sundance, Sundance 40

8 min read

Shiori Ito’s “Black Box Diaries” is a Triumph

by Rebecca Martin

October 27, 2024

Sexual assault is sadly the most inclusive crime there is. I don’t know a single person, man or woman, who has not been somehow, whether they know it or not,

Kamala for president, reviews

3 min read

“Desert Angel” elevates the American migrant community

by Peyton Robinson

October 16, 2024

You can see “Desert Angel” at the Austin Film Festival on Saturday October 26, 2024 6:45pm – 8:32pm CDT at the Galaxy 9 theater. Learn more here: https://2024austinfilmfestival.sched.com/event/1mKcL/desert-angel,

2024 Films, reviews

5 min read

Femme Film Friday: “Apartment 7A,” “The Substance,” “My Old Ass,” “The Outrun,” and “A Mistake”

by cinemafemme

September 27, 2024

APARTMENT 7A – directed by Natalie Erika James With the overturning of Roe v. Wade, it makes complete sense that 2024 has been loaded with not only horror prequels, but

2024 Films, Documentaries, reviews

4 min read

“Sweetheart Deal” is a rallying cry for care

by Peyton Robinson

September 13, 2024

Seattle’s Aurora Avenue is infamous for being an epicenter of prostitution. However, this generalized reputation fails to recognize the individuality and humanity of the sex workers who inhabit the area.

2024 Films, LGBTQ+, Profile, Queer Stories, reviews, Thelma

6 min read

Femme Film Friday (Pride Month Edition): “Cora Bora,” “Fancy Dance,” “Am I OK?”, and “Inside Out 2”

by cinemafemme

June 14, 2024

Cora Bora – Hannah Utt (script written by Rhianon Jones) Catch the NYC and LA premieres this weekend! Megan Stalter reminds me of Catherine O’Hara when she was getting started