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Read our most recent issue with stories that validate, inspire, and change the way we see— and make — film.
Some films invite passive observation; others refuse distance altogether, demanding a more intimate kind of surrender. The selections in the...
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie...
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of...
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
25 min read
by Matt Fagerholm
April 13, 2026
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally
18 min read
by Zachary Lee
April 11, 2026
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous as it is today. The
4 min read
by cinemafemme
April 6, 2026
Submissions Link: filmfreeway.com/CinemaFemme 🎬 Cinema Femme Short Film Festival Returns to the Music Box Theatre and New Festival Director Announced Cinema Femme Short Film Festival Announces 2026 Dates, Opens Film
5 min read
by Rebecca Martin
April 1, 2026
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling of Physical. Now, with her
7 min read
by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
9 min read
by Rebecca Martin
March 8, 2026
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
25 min read
by Matt Fagerholm
April 13, 2026
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally
18 min read
by Zachary Lee
April 11, 2026
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous as it is today. The
5 min read
by Rebecca Martin
April 1, 2026
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling of Physical. Now, with her
7 min read
by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
14 min read
by Rebecca Martin
March 3, 2026
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
25 min read
by Matt Fagerholm
April 13, 2026
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
21 min read
by Veronica Miles
February 12, 2026
Yes, you can just go to Sundance. Yes, you will definitely have fun. Yes, you will see celebrities. Yes, you will see movies that may win Oscars or launch the
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
13 min read
by Matt Fagerholm
November 17, 2025
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival
14 min read
by Anna Pattison
November 1, 2025
When a laid-off sex worker falls for a mail carrier in a world frozen by pandemic unknowns, it will take the help of an astrologer, cinema guru, cam model, retired dungeon owner,
25 min read
by Matt Fagerholm
April 13, 2026
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s clear that Madison Young’s equally
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
14 min read
by Matt Fagerholm
November 4, 2025
I went into David Michôd’s biopic “Christy” knowing nothing about its titular boxer. I knew I would be interviewing the film’s real-life subject, Christy Salters Martin, the following morning, and
15 min read
by Emily Jacobson
May 20, 2025
Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often
21 min read
by Anna Pattison
April 18, 2025
From writer and director Florence Bouvy, “Where We Stay” is a beautiful and touching examination of human connection and unspoken truths. The film was partially inspired by Florence’s own story
10 min read
by Peyton Robinson
April 15, 2025
Cheryl Dunye is best known for her iconic film “The Watermelon Woman” — a tale of an aspiring Black lesbian filmmaker (played by Dunye herself) who seeks to learn more
8 min read
by Rebecca Martin
November 4, 2024
“This movie that saved my life also holds a complicated and controversial history in the queer film canon. I’m not seeking to change anyone’s mind with this film, but to
9 min read
by Rebecca Martin
March 8, 2026
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
8 min read
by Peyton Robinson
February 9, 2026
Whether a creator or observer, one’s relationship with art dictates a host of qualities: values, ambitions, fantasies, etc. That umbrella term – art – can be composed of so many
6 min read
by Emily Jacobson
February 5, 2026
For my final dispatch of Sundance 2026, I talk about three films I screened virtually from home (though I originally saw “The Musical” in Park City, but I enjoyed it
8 min read
by Peyton Robinson
February 3, 2026
For many women, sexual discovery is a kind of reckoning. It comes in waves. Answering the question of “what was your first sexual experience?” can be immensely complex when bearing
7 min read
by Emily Jacobson
February 3, 2026
As I got deeper into the festival and more sleep deprived, my second dispatch from Sundance saw some common themes begin to emerge in the films I was seeing. In
4 min read
by Rebecca Martin
January 31, 2026
Barbara Hammer once said, “If we’re experimenting with our lives and the way we’re going to live, our film and our art should also be experimental. It breaks tradition, and
9 min read
by Emily Jacobson
January 30, 2026
When I landed in what would be the last Sundance in Park City, Utah, a notable feeling of gratitude washed over me. My first day was a frenzy of badge
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
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After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous
Submissions Link: filmfreeway.com/CinemaFemme 🎬 Cinema Femme Short Film Festival Returns to the Music Box Theatre and New Festival Director Announced Cinema Femme Short Film Festival
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous
Submissions Link: filmfreeway.com/CinemaFemme 🎬 Cinema Femme Short Film Festival Returns to the Music Box Theatre and New Festival Director Announced Cinema Femme Short Film Festival
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
After seeing Chicago’s BDSM community turn out in huge numbers for a euphoric preview screening of Harry Lighton’s acclaimed movie “Pillion” earlier this year, it’s
When John Alan Schwartz’s “Faces of Death” came out in 1978, it emerged at a time when the proliferation of violent images wasn’t as ubiquitous
Submissions Link: filmfreeway.com/CinemaFemme 🎬 Cinema Femme Short Film Festival Returns to the Music Box Theatre and New Festival Director Announced Cinema Femme Short Film Festival
Emmy-winning filmmaker Stephanie Laing has built a career on finding humanity in unlikely places—whether through the biting satire of Veep or the emotionally layered storytelling
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a
