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Read our most recent issue with stories that validate, inspire, and change the way we see— and make — film.
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of...
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not...
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely....
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
9 min read
by Rebecca Martin
March 8, 2026
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
14 min read
by Rebecca Martin
March 3, 2026
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color
8 min read
by Davide Abbatescianni
February 22, 2026
Premiering in the Big Screen Competition at IFFR (29 January–8 February), “Butterfly” marks Itonje Søimer Guttormsen’s return to feature filmmaking five years after “Gritt.” Set in Gran Canaria, the film
6 min read
by Anna Pattison
February 20, 2026
The logline, “A Mormon couple ties the knot,” already had me invested but reading the synopsis sealed the deal: “It’s wedding day at the Mormon Temple. For wide-eyed Sydney, it’s
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
9 min read
by Rebecca Martin
February 17, 2026
Every Sundance leaves an impression on me — no, more than that. It feels like a permanent mark etched into my soul. Of course, there’s the snow, the crowded Main
6 min read
by Rebecca Martin
February 13, 2026
Chicago-based writer-director Hannah Schierbeek continues her exploration of intimate human stories set against vast socioecological backdrops with her latest short film. Written, directed, and produced by Schierbeek, the film follows
10 min read
by Rebecca Martin
November 18, 2025
In the wake of the Dobbs v. Jackson Women’s Health Organization (June 2022) decision, which overturned Roe v. Wade, Lauren Melinda’s “Before You” emerges as an intimate, unflinching, and profoundly
13 min read
by Matt Fagerholm
November 17, 2025
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival
7 min read
by Rebecca Martin
November 12, 2025
Sophia Dunn-Walker’s creative world hums with contrast — elegance laced with rebellion, discipline infused with punk energy. A director, producer, and actor, Dunn-Walker’s work traverses film, music, and visual art
14 min read
by Matt Fagerholm
November 4, 2025
I went into David Michôd’s biopic “Christy” knowing nothing about its titular boxer. I knew I would be interviewing the film’s real-life subject, Christy Salters Martin, the following morning, and
14 min read
by Anna Pattison
November 1, 2025
When a laid-off sex worker falls for a mail carrier in a world frozen by pandemic unknowns, it will take the help of an astrologer, cinema guru, cam model, retired dungeon owner,
7 min read
by Rebecca Martin
October 31, 2025
Italian filmmaker Carolina Cavalli has quickly emerged as one of the most original voices in contemporary cinema. Born in Milan, Cavalli made her feature debut with “Amanda” (2022), which premiered
14 min read
by Matt Fagerholm
October 25, 2025
With the 61st Chicago International Film Festival nearly in the rearview mirror, there are so many memories from the past several days that I know I will be cherishing for
7 min read
by Rebecca Martin
October 24, 2025
Set against the vivid backdrop of 1931 French-colonized Martinique, “Sugar Cane Alley” (“Rue Cases-Nègres”) stands as one of cinema’s most tender and politically charged coming-of-age stories. The film follows eleven-year-old
10 min read
by Rebecca Martin
October 20, 2025
Mary Bronstein is a writer/director based in New York City, known for her raw style, auteurist approach, and unflinching focus on stories about complicated women. Her best-known work, the cult-classic
11 min read
by Matt Fagerholm
September 30, 2025
“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about
12 min read
by Matt Fagerholm
July 8, 2025
I was ten years old when Danny DeVito’s euphoric screen adaptation of Roald Dahl’s 1988 novel Matilda arrived in theaters. I had read the book so many times that the
14 min read
by Matt Fagerholm
June 24, 2025
As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of
41 min read
by Matt Fagerholm
May 23, 2025
It’s difficult to put into words the gratitude I have for Sabrina S. Sutherland. The collaborations she forged with filmmaker David Lynch, particularly over the last decade, have transformed my
15 min read
by Emily Jacobson
May 20, 2025
Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often
21 min read
by Anna Pattison
May 1, 2025
Samantha (Sam) Cole returns to her childhood home when her mother suddenly passes. In place of familiar spaces and memories, Sam finds only uneasiness and confusion. Things are missing, the
21 min read
by Anna Pattison
April 18, 2025
From writer and director Florence Bouvy, “Where We Stay” is a beautiful and touching examination of human connection and unspoken truths. The film was partially inspired by Florence’s own story
10 min read
by Peyton Robinson
April 15, 2025
Cheryl Dunye is best known for her iconic film “The Watermelon Woman” — a tale of an aspiring Black lesbian filmmaker (played by Dunye herself) who seeks to learn more
6 min read
by Davide Abbatescianni
March 6, 2025
After a successful festival run kicked off at San Sebastian and BFI London last year, Sylvia Le Fanu’s debut, titled “My Eternal Summer,” heads to the Göteborg Film Festival, one
29 min read
by Matt Fagerholm
August 13, 2021
Emily Robinson is, without question, one of the most gifted and promising talents of her generation. She earned a Young Artist Award and Young Entertainer Award, as well as a Screen
4 min read
by cinemafemme
June 24, 2021
For Pride month Cinema Femme is excited to elevate Mary Tilden’s short film “Rough River Lake”. Read more about the film below, and please donate to support! Details below are
7 min read
by Dawn Borchardt
June 16, 2021
“The Novice” is the feature directorial debut from accomplished sound artist Lauren Hadaway. The film follows college student Alex (Isabelle Fuhrman), who finds herself obsessing over whatever she puts her
6 min read
by Marjorie H. Morgan
June 1, 2021
13 min read
by Rebecca Martin
May 19, 2021
Actor/writer Elliot Frances Flynn (“Shoplifters of the World”, “Mare of Easttown”), is an emerging talent who has been a strong supporter of Cinema Femme over the past year, and I’ve
3 min read
by cinemafemme
April 13, 2021
A CONVERSATION WITH ISABEL SANDOVAL, Wednesday, April 14th, at 4:00 PM EST, as part of our April Showcase. Join us as we pay tribute to filmmaker Isabel Sandoval (“Lingua Franca”) with a
15 min read
by Rebecca Martin
April 1, 2021
I was fortunate to see a rough cut of Jaclyn Bethany’s “Highway One” last year prior to my interview with the director. The film danced in my mind long after.
2 min read
by cinemafemme
March 23, 2021
“How Is This The World”: A mother befriends a burnt-out hacker to help search for her son in virtual reality. Credits: Written & Directed by Sadie Rogers Produced by Grace
15 min read
by Rebecca Martin
March 19, 2021
With the atrocities that happened this week in Atlanta that resulted in the deaths of Asian American women, and with the hashtag #StopAsianHate streaming through social media, a film like
9 min read
by Rebecca Martin
March 8, 2026
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens through which I understand the
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
8 min read
by Peyton Robinson
February 9, 2026
Whether a creator or observer, one’s relationship with art dictates a host of qualities: values, ambitions, fantasies, etc. That umbrella term – art – can be composed of so many
6 min read
by Emily Jacobson
February 5, 2026
For my final dispatch of Sundance 2026, I talk about three films I screened virtually from home (though I originally saw “The Musical” in Park City, but I enjoyed it
8 min read
by Peyton Robinson
February 3, 2026
For many women, sexual discovery is a kind of reckoning. It comes in waves. Answering the question of “what was your first sexual experience?” can be immensely complex when bearing
7 min read
by Emily Jacobson
February 3, 2026
As I got deeper into the festival and more sleep deprived, my second dispatch from Sundance saw some common themes begin to emerge in the films I was seeing. In
4 min read
by Rebecca Martin
January 31, 2026
Barbara Hammer once said, “If we’re experimenting with our lives and the way we’re going to live, our film and our art should also be experimental. It breaks tradition, and
9 min read
by Emily Jacobson
January 30, 2026
When I landed in what would be the last Sundance in Park City, Utah, a notable feeling of gratitude washed over me. My first day was a frenzy of badge
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
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As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
Premiering in the Big Screen Competition at IFFR (29 January–8 February), “Butterfly” marks Itonje Søimer Guttormsen’s return to feature filmmaking five years after “Gritt.” Set
The logline, “A Mormon couple ties the knot,” already had me invested but reading the synopsis sealed the deal: “It’s wedding day at the Mormon
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
Premiering in the Big Screen Competition at IFFR (29 January–8 February), “Butterfly” marks Itonje Søimer Guttormsen’s return to feature filmmaking five years after “Gritt.” Set
The logline, “A Mormon couple ties the knot,” already had me invested but reading the synopsis sealed the deal: “It’s wedding day at the Mormon
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a
For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,
Premiering in the Big Screen Competition at IFFR (29 January–8 February), “Butterfly” marks Itonje Søimer Guttormsen’s return to feature filmmaking five years after “Gritt.” Set
The logline, “A Mormon couple ties the knot,” already had me invested but reading the synopsis sealed the deal: “It’s wedding day at the Mormon
