Tickets and VIP passes on sale NOW for the 2025 Cinema Femme Short Film Festival in Chicago from July 17 - 21!
Read our most recent issue with stories that validate, inspire, and change the way we see— and make — film.
The Chair Company follows Ron, who investigates a conspiracy after an embarrassing incident at work. How did you get started...
I often think about a particular scene from the second series of “Fleabag” as the year draws to a close....
Kaouther Ben Hania is a two-time Academy Award–nominated filmmaker whose fearless, formally inventive work has positioned her as one of...
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
7 min read
by Anna Pattison
January 6, 2026
The Chair Company follows Ron, who investigates a conspiracy after an embarrassing incident at work. How did you get started in cinematography? I grew up a big film lover. I
9 min read
by Rebecca Martin
December 23, 2025
I often think about a particular scene from the second series of “Fleabag” as the year draws to a close. Kristin Scott Thomas’s character, Belinda, is at a bar with
5 min read
by Rebecca Martin
December 19, 2025
Kaouther Ben Hania is a two-time Academy Award–nominated filmmaker whose fearless, formally inventive work has positioned her as one of the most vital voices in contemporary international cinema. Moving fluidly
5 min read
by Rebecca Martin
December 13, 2025
Annette Elliot is a Chicago-based writer and director whose work sits at the intersection of cinema, art history, and architecture. Drawing consciously from painting, sculpture, and the built environment, her
4 min read
by Rebecca Martin
December 10, 2025
Cinema Femme had the opportunity to speak with sound designer and composer Yuxin Lu. Based in Chicago, Yuxin is a dynamic and multidimensional audio artist whose journey spans continents and
17 min read
by Matt Fagerholm
December 5, 2025
A longtime holiday wish of mine will be granted this month when I finally get to see one of my favorite actors perform in person. As part of her “Spending
6 min read
by Rebecca Martin
December 1, 2025
Freya Adams is a first-generation Indian American actress best known for her lead role in Jennifer Phang’s “Advantageous” (now streaming on Netflix), where she starred opposite Ken Jeong, Jennifer Ehle,
9 min read
by Davide Abbatescianni
November 26, 2025
“Mariposa Traicionera” (“Treacherous Butterfly”) marks one of the most arresting and mysterious short films currently seeking a world premiere on the 2026 festival circuit. Shot in Spain and distributed worldwide
8 min read
by Rebecca Martin
November 21, 2025
When cult filmmaker Kira Muratova told a young Isa Willinger, “The truth is, women make the harsher films,” the statement lodged itself in Willinger’s mind like a riddle. Could this
7 min read
by Anna Pattison
January 6, 2026
The Chair Company follows Ron, who investigates a conspiracy after an embarrassing incident at work. How did you get started in cinematography? I grew up a big film lover. I
5 min read
by Rebecca Martin
December 19, 2025
Kaouther Ben Hania is a two-time Academy Award–nominated filmmaker whose fearless, formally inventive work has positioned her as one of the most vital voices in contemporary international cinema. Moving fluidly
5 min read
by Rebecca Martin
December 13, 2025
Annette Elliot is a Chicago-based writer and director whose work sits at the intersection of cinema, art history, and architecture. Drawing consciously from painting, sculpture, and the built environment, her
17 min read
by Matt Fagerholm
December 5, 2025
A longtime holiday wish of mine will be granted this month when I finally get to see one of my favorite actors perform in person. As part of her “Spending
6 min read
by Rebecca Martin
December 1, 2025
Freya Adams is a first-generation Indian American actress best known for her lead role in Jennifer Phang’s “Advantageous” (now streaming on Netflix), where she starred opposite Ken Jeong, Jennifer Ehle,
9 min read
by Davide Abbatescianni
November 26, 2025
“Mariposa Traicionera” (“Treacherous Butterfly”) marks one of the most arresting and mysterious short films currently seeking a world premiere on the 2026 festival circuit. Shot in Spain and distributed worldwide
8 min read
by Rebecca Martin
November 21, 2025
When cult filmmaker Kira Muratova told a young Isa Willinger, “The truth is, women make the harsher films,” the statement lodged itself in Willinger’s mind like a riddle. Could this
10 min read
by Rebecca Martin
November 18, 2025
In the wake of the Dobbs v. Jackson Women’s Health Organization (June 2022) decision, which overturned Roe v. Wade, Lauren Melinda’s “Before You” emerges as an intimate, unflinching, and profoundly
13 min read
by Matt Fagerholm
November 17, 2025
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival
13 min read
by Matt Fagerholm
November 17, 2025
As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival
14 min read
by Anna Pattison
November 1, 2025
When a laid-off sex worker falls for a mail carrier in a world frozen by pandemic unknowns, it will take the help of an astrologer, cinema guru, cam model, retired dungeon owner,
14 min read
by Matt Fagerholm
October 25, 2025
With the 61st Chicago International Film Festival nearly in the rearview mirror, there are so many memories from the past several days that I know I will be cherishing for
20 min read
by Veronica Miles
October 10, 2025
In 2019, I crashed the Cannes Film Festival. Well — not really. I went legitimately with a pass I applied for (if you work in the film industry, you usually
11 min read
by Matt Fagerholm
September 30, 2025
“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about
12 min read
by Matt Fagerholm
July 8, 2025
I was ten years old when Danny DeVito’s euphoric screen adaptation of Roald Dahl’s 1988 novel Matilda arrived in theaters. I had read the book so many times that the
14 min read
by Matt Fagerholm
June 24, 2025
As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of
41 min read
by Matt Fagerholm
May 23, 2025
It’s difficult to put into words the gratitude I have for Sabrina S. Sutherland. The collaborations she forged with filmmaker David Lynch, particularly over the last decade, have transformed my
15 min read
by Emily Jacobson
May 20, 2025
Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often
14 min read
by Matt Fagerholm
November 4, 2025
I went into David Michôd’s biopic “Christy” knowing nothing about its titular boxer. I knew I would be interviewing the film’s real-life subject, Christy Salters Martin, the following morning, and
15 min read
by Emily Jacobson
May 20, 2025
Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often
21 min read
by Anna Pattison
April 18, 2025
From writer and director Florence Bouvy, “Where We Stay” is a beautiful and touching examination of human connection and unspoken truths. The film was partially inspired by Florence’s own story
10 min read
by Peyton Robinson
April 15, 2025
Cheryl Dunye is best known for her iconic film “The Watermelon Woman” — a tale of an aspiring Black lesbian filmmaker (played by Dunye herself) who seeks to learn more
8 min read
by Rebecca Martin
November 4, 2024
“This movie that saved my life also holds a complicated and controversial history in the queer film canon. I’m not seeking to change anyone’s mind with this film, but to
4 min read
by Rebecca Martin
July 3, 2024
I had the opportunity to speak with Jac Cron about her feature debut “Chestnut.” We talked about how she came to this project, and how her time after college was
6 min read
by cinemafemme
June 14, 2024
Cora Bora – Hannah Utt (script written by Rhianon Jones) Catch the NYC and LA premieres this weekend! Megan Stalter reminds me of Catherine O’Hara when she was getting started
33 min read
by Matt Fagerholm
June 3, 2024
Every once in a while, I come across a film that feels as if it has been made especially for me. That happened most recently at this year’s joyous in-person
12 min read
by Rebecca Martin
May 29, 2024
“Tell That to the Winter Sea” is a masterfully crafted journey into womanhood, filled with captivating performances, stunning visuals and assured direction. The film brings me back to being a
7 min read
by Matt Fagerholm
October 21, 2025
The Girl in the Snow One of the great discoveries I made at CIFF ten years ago was the talent of young Galatéa Bellugi. As a pregnant teen in the
3 min read
by cinemafemme
April 11, 2025
BEING MARIA – directed by Jessica Palud “I want to be free as an actor to explore where a scene can go, but if it’s going to be a fight
6 min read
by Peyton Robinson
February 25, 2025
For my final dispatch of this year’s Sundance Film Festival, I’m covering three films that I watched virtually. Ironically, these films, while not all specifically tailoring their plots to location,
8 min read
by Emily Jacobson
February 18, 2025
For my second Sundance dispatch, I exchanged my snow boots for my slippers, and viewed most of the films from the comfort of my couch. While certainly not comparable to
7 min read
by Peyton Robinson
February 18, 2025
The endeavors of love and lust can feel like matters of life and death, but the films which compose this dispatch also find the humor in these escapades. I was
8 min read
by Emily Jacobson
January 31, 2025
When I was thirteen, I remember scrolling through the movie channels of my parents’ television and finding a film called “Like Crazy,” which was labeled as a “breakout Sundance hit.”
7 min read
by Peyton Robinson
January 28, 2025
It’s Saturday, January 25th and today is my last day at my first in-person Sundance Film Festival. Writing from a sardined high top table at Atticus, where yesterday I met
10 min read
by cinemafemme
December 13, 2024
This year started as it usually does for Cinema Femme with the Sundance Film Festival. Although we didn’t get the kind of coverage we’d like, as we were covering mostly
8 min read
by Rebecca Martin
November 4, 2024
“This movie that saved my life also holds a complicated and controversial history in the queer film canon. I’m not seeking to change anyone’s mind with this film, but to
Join us in fostering a vibrant film culture through strategic partnerships. Together, we can create opportunities that benefit both your organization and our community.
By clicking Join Us, you agree to our Terms and Conditions.
The Chair Company follows Ron, who investigates a conspiracy after an embarrassing incident at work. How did you get started in cinematography? I grew up
I often think about a particular scene from the second series of “Fleabag” as the year draws to a close. Kristin Scott Thomas’s character, Belinda,
Kaouther Ben Hania is a two-time Academy Award–nominated filmmaker whose fearless, formally inventive work has positioned her as one of the most vital voices in
Annette Elliot is a Chicago-based writer and director whose work sits at the intersection of cinema, art history, and architecture. Drawing consciously from painting, sculpture,
Cinema Femme had the opportunity to speak with sound designer and composer Yuxin Lu. Based in Chicago, Yuxin is a dynamic and multidimensional audio artist
A longtime holiday wish of mine will be granted this month when I finally get to see one of my favorite actors perform in person.
The Chair Company follows Ron, who investigates a conspiracy after an embarrassing incident at work. How did you get started in cinematography? I grew up
I often think about a particular scene from the second series of “Fleabag” as the year draws to a close. Kristin Scott Thomas’s character, Belinda,
Kaouther Ben Hania is a two-time Academy Award–nominated filmmaker whose fearless, formally inventive work has positioned her as one of the most vital voices in
Annette Elliot is a Chicago-based writer and director whose work sits at the intersection of cinema, art history, and architecture. Drawing consciously from painting, sculpture,
Cinema Femme had the opportunity to speak with sound designer and composer Yuxin Lu. Based in Chicago, Yuxin is a dynamic and multidimensional audio artist
A longtime holiday wish of mine will be granted this month when I finally get to see one of my favorite actors perform in person.
The Chair Company follows Ron, who investigates a conspiracy after an embarrassing incident at work. How did you get started in cinematography? I grew up
I often think about a particular scene from the second series of “Fleabag” as the year draws to a close. Kristin Scott Thomas’s character, Belinda,
Kaouther Ben Hania is a two-time Academy Award–nominated filmmaker whose fearless, formally inventive work has positioned her as one of the most vital voices in
Annette Elliot is a Chicago-based writer and director whose work sits at the intersection of cinema, art history, and architecture. Drawing consciously from painting, sculpture,
Cinema Femme had the opportunity to speak with sound designer and composer Yuxin Lu. Based in Chicago, Yuxin is a dynamic and multidimensional audio artist
A longtime holiday wish of mine will be granted this month when I finally get to see one of my favorite actors perform in person.
