Sundancing on My Own: My Four Extraordinary Days in Park City

Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over four decades had always left me in awe. So many of my favorite films had premiered at Redford’s festival nestled in the snow-capped mountains of […]

A Call for Peace and Human Connection: Hikari on “Rental Family”

As I sat in my favorite movie palace, the Music Box Theatre, waiting for my wife—Cinema Femme founder Rebecca Martin—to arrive for that evening’s eagerly awaited Chicago International Film Festival screening of Hikari’s “Rental Family,” I overheard the woman next to me mention her plans to see my all-time favorite film, “It’s a Wonderful Life,” […]

Look for the Signs: Christy Salters Martin and Lisa Holewyne on “Christy”

I went into David Michôd’s biopic “Christy” knowing nothing about its titular boxer. I knew I would be interviewing the film’s real-life subject, Christy Salters Martin, the following morning, and was delighted to see her in attendance at the press screening. She was accompanied by her wife, Lisa Holewyne, who had formerly been her adversary […]

A Profound Experience of Rewriting: Eva Victor on “Sorry, Baby”

As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of “Moonlight” has also been helping launch some of the most exciting careers in modern cinema over the past few years. I’m thinking specifically of Charlotte […]

He Believed in Me: Sabrina S. Sutherland on Her Favorite Person, David Lynch

It’s difficult to put into words the gratitude I have for Sabrina S. Sutherland. The collaborations she forged with filmmaker David Lynch, particularly over the last decade, have transformed my life in ways I never could have anticipated. Sutherland executive produced Lynch’s 18-part masterpiece, 2017’s “Twin Peaks: The Return”—or as she prefers to call it, […]

Disrupt the Dopamine: Lily McInerny on “Bonjour Tristesse”

Throughout human history, few things have discomforted patriarchal societies quite like the candid thoughts of women. French author Françoise Sagan was only 18 when she published her wildly popular 1954 debut novel, Bonjour Tristesse, which translates as Hello Sadness. Her tale of a teenage girl, Cécile, whose freedom she enjoys with her widowed father, Raymond, […]

This Was the Fight: Emily Sheskin on “JessZilla”

One of my favorite films I saw in 2024 is finally kicking off its limited theatrical run before arriving on VOD. Last year, I had the privilege of serving on the documentary nomination committee for Slamdance’s inaugural awards ceremony, The Indies. As a result, I screened numerous magnificent pictures, yet none delivered a knockout punch […]

A Sense of Authenticity: Olivia Edward on “Better Things”

When Pamela Adlon released her marvelous directorial feature debut, “Babes,” earlier this year, my husband Matt and I had not yet been acquainted with the filmmaker’s Peabody Award-winning FX series, “Better Things.” Adlon plays a fictionalized version of herself named Sam, and loosely based the series on her own experience of raising three daughters while […]