Disrupt the Dopamine: Lily McInerny on “Bonjour Tristesse”

Throughout human history, few things have discomforted patriarchal societies quite like the candid thoughts of women. French author Françoise Sagan was only 18 when she published her wildly popular 1954 debut novel, Bonjour Tristesse, which translates as Hello Sadness. Her tale of a teenage girl, Cécile, whose freedom she enjoys with her widowed father, Raymond, […]

This Was the Fight: Emily Sheskin on “JessZilla”

One of my favorite films I saw in 2024 is finally kicking off its limited theatrical run before arriving on VOD. Last year, I had the privilege of serving on the documentary nomination committee for Slamdance’s inaugural awards ceremony, The Indies. As a result, I screened numerous magnificent pictures, yet none delivered a knockout punch […]

A Sense of Authenticity: Olivia Edward on “Better Things”

When Pamela Adlon released her marvelous directorial feature debut, “Babes,” earlier this year, my husband Matt and I had not yet been acquainted with the filmmaker’s Peabody Award-winning FX series, “Better Things.” Adlon plays a fictionalized version of herself named Sam, and loosely based the series on her own experience of raising three daughters while […]

This is Our Family: Tara Mallen, Keith Kupferer and Katherine Mallen Kupferer on “Ghostlight”

When it comes to monumentally euphoric moviegoing experiences in 2024, Kelly O’Sullivan and Alex Thompson have set a mightily high bar with their latest crowd-pleaser, “Ghostlight.” Five years after helming one of my all-time favorite films, 2019’s “Saint Frances,” writer/co-director O’Sullivan and co-director/producer Thompson have done it again with this phenomenally powerful ode to the […]

The Poetry of Everyday Life: Brooke Westphal on “Young People”

A film lasting only a few minutes has the potential to impact viewers in a way that is tantamount to a feature, and that is certainly the case with “Young People,” which marks the directorial debut of Brooke Westphal, a student at the University of California, Santa Barbara (UCSB). It was made for the college’s […]

Slamdance 2023: Wendy McColm on Their Audacious Triumph, “Fuzzy Head”

“To understand my work,” David Lynch once told a bewildered moviegoer in Chicago, “you must follow the emotion. Because if you follow the buttermilk, you’ll end up going to the dairy.” The same rule of thumb could be applied to writer/director Wendy McColm’s sophomore feature effort, “Fuzzy Head,” the first thoroughly captivating cinematic work I’ve […]