Pamela B. Green’s documentary honors filmmaking pioneer Alice Guy-Blaché

Meeting Pamela, I could feel the force of nature of Alice Guy-Blaché through her passionate words and her film. It’s like Alice called out to Pamela to introduce her to our modern-day world, and she answered the call. The film gave me and the rest of the viewers of the screening such a gift to meet Alice and fall in love with her during the process.

A conversation between Cinema Femme founder Rebecca Martin and filmmaker Meryl Goldsmith

“Sometime during that process, Michael Radner, he’s my godfather, he told me that Lisa D’Apolito was making “Love, Gilda” (2018). Once I finally had a chance to meet Lisa, I was really relieved, because Gilda’s story was a lot more personal. It was my role to make sure that number one, Gilda’s portrayed in a positive light, and thinking of things as a friend. So I met her and saw the assembly cut and thought, she knows what she’s doing, and she cared about how Gilda was portrayed. She would ask herself with every decision how Gilda would have felt about it. And Lisa has a background in advertising and production, so she did know film, and made everything look and sound great.”

The Women of Wakanda

The message of “Black Panther” is that the potential and influence of women must not be ignored or discounted. From the strategic actions of Nakia as an undercover spy and refugee saviour on a personal mission who will not abandon her calling, to the knowledge centre of Shuri, who has the final words of the film when she says to the injured Westerner Sergeant Barnes, “Come, there is much more for you to learn,” all the women excel as examples of depth and variety of the Black woman.