Watching “Black Panther” has given me a similar experience, being from a country that most privileged nations deem “third world,” “regressed,” and “developing.” I belong to the same continent, if from a different sector with a different cultural backdrop and political history.
Happy holidays from the staff at Cinema Femme magazine! If you’re still looking for gift ideas for the film aficionados, women in film, or just awesome people in your life, here are some of our favorite gifts.
“The Virgin Suicides” film is a feast of watchers: it confirms that we are all watched and we all watch. Like George Orwell’s “Nineteen Eighty-Four,” this film reminds the viewer that we are all under constant surveillance.
Welcome to the inaugural issue of Cinema Femme magazine, the voice of the female film experience! Cinema Femme is a digital magazine that voices the female film experience through personal essays and interviews, accompanied by illustration and design. But we’re more than a magazine — we are a movement. Our movement’s […]
I’ve followed Sofia Coppola’s career closely, ever since 2003. In 2003, I saw the film that became my gateway in to the cinephile world: Lost in Translation. Friends in college (where I was in 2003) felt that I possibly had an unhealthy obsession with the film […]
Cinema Femme is meant to go beyond our digital pages. We are a movement. The Cinema Femme movement will support more female and diverse representation in film criticism, resulting in more female directed and diverse films being recognized for their value. These reviews will attract […]