Josephine Mackerras debuted her first feature film, “Alice,” at the 2019 SXSW Film Festival. The story depicts how Alice, a wife and mother, reacts to her husband’s double life, leaving them in debt and on the brink of eviction. Where she turns is an unexpected choice, creating emotionally loaded questions regarding preconceived notions of independence,
The work I saw was crafted with time and effort and filled more than just quotas. They were filling us with inspiration for a future in which female-identifying filmmakers are seen as equally important to our male counterparts in the film industry. And that is the power in attending the 2019 Girl Power Film +
Over the past few years, and it seems like from the beginning of time, when it comes to an opinion, in general, male (specifically white men) have been the represented majority through print, on camera, and behind the camera. But now, we are starting to see the beginnings of women not giving a f**k of
Cinema Femme is meant to go beyond our digital pages. We are a movement. The Cinema Femme movement will support more female and diverse representation in film criticism, resulting in more female directed and diverse films being recognized for their value. These reviews will attract more movie goers and interested backers to financially support these
